Of Silver and Secrets review

A review of Of Silver and Secrets, by Sylvia Mercedes
(Note: I received a free ARC in exchange for an honest review. This story also contains brief non-consentual kissing and nudity.)
 
If you haven’t realized it by now, I’m kind of an emotional reviewer. After book blogging for a couple years now, I also tend to mentally give stars to books as I go, knowing the rating will fluctuate at different parts of the story and then I can average them out, ideally so I don’t get swept away.
 
Of Silver and Secrets swept me away. I could squeal just thinking about it, and that is a noise I usually reserve for Pride and Prejudice, when Mr. Darcy finally remembers how a gentleman courts a lady.
 
Of Silver and Secrets is a shorter tale, once a serial release for author Sylvia Mercedes’ mailing list subscribers. It follows primary narrator Farryn’s trials as a ward witch’s dreamwalking apprentice who peeks into the wrong person’s enchanting dream. Farryn does not have the money and necessary connections to be trained as a Miphato, the erudite sorcerers of the Whispering Wood’s world. She has only the runes she’s learned from her mentor Mother Ulla (who is so perfectly described I instantly had a voice for her), and they are neither reliable nor powerful enough for the trouble she lands in.
Of Silver and Secrets cover
Of Silver and Secrets debuts December 20, 2021

The other narrator, Kellam, is a Miphato, and a new one at that. Worse still, he’s encroaching on Farryn’s mistress’s ward with his expensive, bookish ways (his spells, unlike Farryn’s, must be written on a page). And disastrously worse still, he’s Farryn’s childhood friend who almost kissed her at a dance, then shipped off to Miphato school and NEVER WROTE HER. When it comes to Kellam, Farryn hath some fury indeed.

The plot structure is happily unusual, with a smaller but high-stakes challenge for its narrators early on (in which Farryn and Kellam first collide). Then the mid-section of the book bucks the norm and features chapter after chapter of an in-depth battle so intense and authentically tricky for the protagonists that most authors would save it for the climax. There’s no “beginning, muddle and end” in Of Silver and Secrets.
 
Speaking of that end…
 
For much of the book, I figured a solid average of four stars, with an actual rating of 4.25 at times. The dreamwalking sequences were interesting and exciting, and contains Of Silver and Secrets‘ best imagery. But I also thought Kellam’s characterization could be stronger (especially with Mother Ulla stealing the show), and that Farryn tends to dissolve into fits of cursing instead of deeper thoughts. Then the ending approached. (Cue the belated Rumplestiltskin-inspired part of the plot.)
 
And it was…to borrow a popular phrase, *chef’s kiss.*
 
The conclusion Of Silver and Secrets is so darn satisfying. In the last quarter or so of the book, the author goes full-throttle with an extremely time-sensitive, tense plot development and it is exceptional—and clever and perfectly romantic. I was completely taken by it and mentally jumping with excitement and nerves on the characters’ behalfs. I couldn’t have asked for a better ending, and this one that had me rounding up to a swoony (and appreciative) 5 stars.

To learn more about this author, visit sylviamercedesbooks.com.

Review of Icedancer (Velfman)

Icedancer, by Anna Velfman

“‘You seem to enjoy all these games, Chowa,’ she said without energy. ‘What does that say about you?’

”‘Best you don’t ponder that overlong.’ Chowa bowed and turned to leave. ‘You might not like the answer you arrive at.’”

Thus the Pler Series returns for a second tale of political and romantic intrigue, and it’s just as riveting as book one. Even more so, actually!

Lanna continues to shed her naïveté in this book. She hasn’t forgotten the farming village she’s left behind, though she hides it well for most of Icedancer. But she’s changed from that new Imperial who loved the headman’s son, in record time, thanks to Imperial Chemist Chowa-no-Ota. Lanna’s learned a few things about Flower Pavilion theatrics—or at least she thinks she has. As her star rises, a target grows on her back, leaving Lanna with a dangerous question: How much power does the Imperial Seer really have?

Icedancer Cover
Cover of Icedancer, Book 2 in what is now the Pler Series

The more time she spends in the palace, the more apparent it is that someone is always working in the shadows. Lanna finds one such person in Ethaan, head of the Hall of Enlightenment. He’s the only new character we actually meet besides Lanna’s assigned slave. While we also get to know Sonnatha, Itzander, Lucas and Ashioto more, the narrowed scope of Icedancer means characters like Epen, Frez and even Chowa become more peripheral.

Icedancer was refreshing in a lot of ways. The handsome emperor doesn’t get a pass just because he shows he cares and has plans to help the world (though the latter is exactly why Lanna helps him, and the former is a big part of why, despite herself, she finds herself wanting him). There’s so much more to powerful and cultured Ashioto, and Velfman (and the always formidable Lanna) never give in to girlish fancy.

Lucas, the mysterious voice only Lanna can hear, is also emerging as a very likeable and intriguing character. I’m excited to see what role he’ll play in the upcoming book. In all, another excellent book in this series with the writing to match.

To learn more about this author, visit annavelfman.com.

Review of Music of the Night (Ford)

A review of Music of the Night, by Angela J. Ford

(Note: This title is for mature readers only. Mild spoilers below.)

Phew, is it hot in here?! This is my second review of a steamy fantasy novel this month!

This romantic fantasy (with the bedroom door very, very open) is a loose retelling of The Phantom of the Opera. With a bewitching theater in a creepy castle and mysterious music floating on the night air, fans of dark fantasy and romance will want to dive right in to Music of the Night.

Music of the Night, by Angela J. Ford, book cover

Orphaned and beholden to the Count cousin who saved her, Aria lives the unglamorous life of a dancer in the Count’s theater. What she really wants to do is sing, if she had the chance—and the training. Seeking to follow in her late mother’s footsteps and avoid the Count marrying her off, Aria finds a teacher when she follows a haunting melody to a supposedly empty tower.

The chemistry between lonely and grieving Aria and the “ghost” of the tower comes on fast and strong (the author is a strong believer in insta-love). You’ll instantly mistrust the Count and never feel Aria is safe at night. It’s deeply creepy in that castle! As gristly murders begin in the castle, the tension grows and Aria’s need to escape to her new teacher becomes more dire.

In a lot of ways, Music of the Night turns the classic “prince comes to the rescue” trope right on its head; the brave knight is in need of a lot of redemption. In that element, Aria’s role pleasantly reminded me of Christine in the beloved musical. While I felt there were some unanswered questions, it’s a short and entertaining read with plenty of atmosphere and a modified fairytale ending.

To learn more about this author, visit Angela J. Ford’s website.

Review of Avalanche (Velfman)

A Review of Avalanche, by Anna Velfman
(Note: I received a free copy in exchange for an honest review. This book also contains mature content and allusions to non-consentual encounters.)
 
Lanna of the Clans is back–or at least she would be, if life at the palace didn’t have her so confused. This hard-hitting third installment of what used to be the Pler Trilogy brings readers a more introspective Lanna alongside true science-fantasy and an impeccable balance of action and character development. On top of that, it’s an excellent and binge-able read.
 
The main cause of the Southerner-turned-Imperial seer’s confusion is handsome Emperor Ashioto, who Lanna must marry after a period of seclusion. Nothing is black and white about their relationship. Ashioto can be tender and caring, yet dangles the fate of her old friend Mika, and the village she and Lanna came from, as bait whenever he wants something from her (and those things are never small). Still, Lanna is drawn to him and conflicted about her plans to bring down the Empire. Her background in the Machiavellian South doesn’t help that either. If Ashioto is cruel, it’s just a reminder that Southerners aren’t meant to bond anyway.
Avalanche (cover shown here) arrives November 20, 2021

A steamy scene very early in the book (there’s no dawdling in Avalanche, and the bedroom door is open) leaves Lanna to reckon with the truth: she’s sold herself to the Emperor, just as Lucas, the Augmented voice of reason who is literally in her head, warned her she would. Lanna has a price, and as she begins to question what she thought she wanted, we see her greatest development as a character.

As promised by Icedancer (review forthcoming) it’s also her biggest play for agency, even as the forces against her true freedom prove stronger and more calculating than she’d guessed. She’s also in her own way: forced into the position of sacrificial lamb, Avalanche takes time to ask what Lanna is worth to herself.
 
This, combined with her increasingly heart-warming relationship with Lucas, makes Avalanche Velfman’s most character-driven book yet. Given that Lanna is in seclusion, that seems natural–but the constant action and complications are unexpected and wonderful surprises. There is no shortage of action or plot twists in this book, even as Lanna’s character is fleshed out into the fifth dimension. We learn more about the midlands, too, as Lanna’s concerns stretch ever further from the Flower Hall. Even Chowa, who is mostly absent in the book, gets a fresh look.
 
Avalanche also lands firmly in science-fantasy territory (at last!). Gone are the teasers of another civilization; readers learn a whole lot more about where Lucas came from and how their world functions (hint: it involves more than a little tech). Both technology and its breakdown are to be feared in the Pler Series, as the marvels of that civilization behind the curtain may prove to be horrors for Lanna. Absolutely nothing in her world is simple.
 
This is one of the many reasons why I finished the book wishing I had the next title in the series already. Once again, I’m left eagerly awaiting whatever Lanna (and the charming Lucas) does next.

To learn more about this author, visit her website, annavelfman.com.

Review of The Daughter of Earth (Pey)

A Review of The Daughter of Earth, by Callie Pey

The Daughter of Earth (The Dryad Chronicles #1), by Callie Pey (romantic Fantasy, Steamy fantasy; 2021)

(Note: I received a free copy in exchange for an honest review. This title is for mature readers only.)

This is an engaging, extremely steamy story (with fated mate context) that reads quickly. Yes, a little too quickly at times (and yes there are copy editing issues), but the story and other raw materials are all there, which counts for more to me (and is harder to achieve). If you feel the same and like a good portal fantasy adventure, you’ll enjoy The Daughter of Earth, too. (Note that a late scene involves unwanted contact and may be triggering.)

The storytelling starts at a break-neck pace that was too quick for me. 2 1/2 to 3 chapters in, it slows and lets the characters develop (while remaining fairly fast). Melissa is dropped through a portal just as everything is going wrong, and her reactions are sometimes lost in the swift pacing. I did feel like I wanted to hear her thoughts more, especially as she meets a blur of characters. Some you’ll get to know and love, like Cassie, but others remain in the periphery, like Ferox.

Daughter of Earth, by Callie Pey, book cover autumn graphic

As the pacing eases, Melissa finds more acceptance with her new friends, the Watchtowers, than she found in all her years on Earth. She doesn’t have to justify herself to them or explain her past. They’re like the perfect found family, though they expect her to learn to defend herself. In response to their warmth, Melissa develops a drive to be useful, repaying kindness with service. She also finds love, which is another area where the story really shines.

The MFM romance in The Daughter of Earth is graphic but sex positive, and wonderfully nuanced. I really liked the sweetly awkward early advances of Kelan, who is drawn to MC Melissa and can’t stay away (as a wood elf, he’s pretty fixated on presenting her with his “credentials”), and that her brief interactions with satyr Graak are like a one night stand that leaves both of them confused and hurt. The gods brought the three of them together, and not everybody’s happy about it. I can’t say enough good things about that dynamic.

Throughout the story, Melissa grows in every way possible. We see her go from an orphaned and powerless woman on Earth who’s reduced to an object to a physically strong one who fights monsters and makes her own family. With a world of dryads, nymphs, elves, fae and satyrs, The Daughter of Earth has familiar world-building with a modern twist. The ending was satisfying, too—though I’m already wondering what happens next, thanks in part to one heck of a preview for book two!

All in all, this is a great, unpolished gem of a romantic fantasy yarn.

To learn more about this author, visit her Facebook page or follow her on Instagram (@calliepeyauthor).

Review of Phoenix Heart: Ashes

Phoenix Heart Episode One #1 Ashes Review Graphic

I’m so pleased to see more books coming out with disabled and chronically ill protagonists these days. Phoenix Heart: Season 1, Episode 1: Ashes (yes, a mouthful, but these novellas are being released episodically) has a wonderfully realistic heroine in Sersha, a mute teen at the mercy of her inn-running family. Sersha, whose troubles will feel familiar to many chronically ill/disabled readers, worries about her place in the world, how she’s perceived and what will happen when her family can’t support her any longer.

Ashes can easily be consumed in one sitting (though I recommend savoring Wilson’s emotional writing, if you can stand not seeing what comes next). It follows Phoenix Hope, a free short story available to the author’s mailing list subscribers. I highly recommend reading Phoenix Hope, too, possibly before sitting down with Ashes (the moving story of Sersha’s unlucky patients upstairs at the inn, when their ill-fated journey began).

Phoenix Heart Season 1 Episode 1: Ashes Cover
Cover of Season 1, Episode 1: Ashes

When Sersha finds herself the unwitting friend of grieving phoenix named Kazmarev (described as “A name with an adventure inside it”), for once, someone knows exactly what Sersha wants to say. She identifies with Kazmarev, but has no idea what’s in store for her, or that flame riders even exist.

When Kazmarev perishes with the dawn, Sersha assumes her own brief adventure is over. “It was like owning a pearl necklace for a day. Couldn’t you just enjoy it instead of being angry that you couldn’t keep it?” Sersha asks herself. She then returns to her precarious, uninteresting life helping her relatives at the inn—just as raiders arrive on the nearby shore.

Ashes shows Sersha, an overlooked young woman and a keen observer, finding an unexpected place in the world, and unexpected friends—both of which put her at the heart of the action. Though there is a complete story arc in Season 1, Episode 1, it’s clear her adventures are just beginning.

Phoenix Heart promises to be a relatively expensive series, which makes me want to ration each episode (readers who get in on the pre-orders will get a better price; as of writing, the first episode of season 2 still up for pre-order). Though uniformly short, the length of each episode varies. The bother comes because I’d love to consume them all at once without worry about the cost. Still, I look forward to reading more of Sersha and Kazmarev’s adventures, even if I wish they could each last—even just a tiny bit—longer.

To learn more about this author, visit Sarah K.L. Wilson’s website.

Review: A Trial of Thorns (Rookwood & Vince)

A Trial of Thorns (Rookwood & Vince) Review Graphic

(Note: I received a free copy of this book in exchange for an honest review.)

A Trial of Thorns departs from its roots as a Beauty and the Beast retelling as a major plot twist plays out, dropping Aster in the middle of court fae trials to determine who will be the next king or queen of the fae. Best of all, Aster, whose character is drawn from Belle/Beauty, continues to forge her own path.

Caught in a contest of fae heirs as an unwilling champion, Aster flounders more desperately in A Trial of Thorns. And it’s no wonder: she’s in unfamiliar territory. Everything about the fae of this series sets them apart from humans, from their unearthly beauty to their superhuman abilities and lifespans. Aside from Thorn and the Forest Court, humans don’t mean much to the average fae—and are treated accordingly. Worse still, Aster’s abilities as a greenwitch and enchantress are rendered null in the Sky Court, where the only plants are contained in greenhouse.

I appreciated but did not fully love A Trial of Thorns at first (excepting the parts with the wonderful brownie Mosswhistle, who is perfect in all scenes). The last third to quarter of the book, however, is superb. The authors don’t let Aster and Thorn have a mindless happily ever after that ignores their problems. Instead, they lean in to the severe issues between humans and fae.

It’s a pleasure to see Aster not let Thorn and her other fae friends off the hook, and to take charge of her situation. The serious conversations between them are well-rendered and everything you’d want from an independent and compassionate heroine.

The descriptive writing is not as strong in this book, largely because Rookwood and Vince excel at writing about the natural world—especially when it skews toward dark fantasy. The Sky Court is almost clinical in nature, full of marble and character-less luxury (the House Hunters crowd would be unimpressed, but hey, Faolan’s got his own style). The Trials themselves are creatively designed, and reminded me pleasantly of Harry Potter and the Goblet of Fire, with a dash of Greco-Roman mythology. Which means there’s always a clever twist for readers to enjoy. Those are my kind of trials.

I did miss the authors’ forest descriptions and the constant danger of the Folkwood. The dangers Aster faces in A Trial of Thorns come more from brutal, conniving fae plots and politics; those who enjoyed reading about Tyrion and the other Lannisters in George R.R. Martin’s A Song of Ice and Fire series will be happiest, while fans of Alexis Henderson’s The Year of the Witching will be rooting for Aster to find her way home.

A Trial of Thorns is something of a transitional book, as so many second books are (I’m looking at you, Harry Potter and the Chamber of Secrets!), and that usual means some growing pains. But I put down this book satisfied with the direction the series is going in, happy with Aster’s evolution (get ’em, girl!) and excited for whatever happens next.

To learn more about these authors, please visit helenarookwood.com and elmvince.com.

Interview: Helena Rookwood and Elm Vince (An Enchantment of Thorns)

Today, I get to bring you all something special: an interview with An Enchantment of Thorns co-authors Helena Rookwood (The Thief and the Throne) and Elm Vince (Tapestry of Night).

This interview was conducted via email with the Scotland-based authors. True to form, they’ve even written many of their answers together!

An Interview with Helena Rookwood & Elm Vince, authors of An Enchantment of Thorns

First of all, congratulations on your new series! How does it feel to be writing together again?

Helena Rookwood and Elm Vince: It feels GREAT. We had such a fun time writing Desert Nights, and working together on a new project has been a dream. We haven’t been able to see each other as much as we usually would with the pandemic, so having this joint project has been a nice excuse for (almost daily) regular catch-ups online!

You’re both long-time friends who ended up as writers. How long have you known each other?

Helena & Elm: Too long *cackles.*

Literally our whole lives—we have photos of us as babies together. Our families are friends and we went to school together, then we ended up both moving to Scotland around the same time.

We’ve always had the same reading tastes, and have run a few creative projects together in the past, so moving onto writing together seemed like the natural next step!

Your first collaboration was the Desert Nights series, a retelling of Arabian Nights. Did both of you want to tackle Beauty and the Beast next, or were there other contenders?

Helena & Elm: We’d spoken about a Beauty and the Beast retelling before we’d even finished Desert Nights. We plan to cover other fairy tales in this new series, but we already had the kernel of an idea for a Beauty and the Beast retelling—and it’s one of the most popular fairy tales for a reason!

So what convinced you individually that Beauty and the Beast was the right story to work on together?

Helena: Aladdin was always Elm’s favorite fairy tale and Beauty and the Beast is mine, so I was really excited to move onto this one next. I’ve been wanting to write a Beauty and the Beast retelling for a really long time, and it’s a fairy tale I can’t read enough versions of, so I’ve loved working on this one.

Elm: When I think of these two fairy tales, I can’t help but think of the Disney movies, which were such a huge part of my childhood. Aladdin was my favorite, with Beauty and the Beast a close second. I was always drawn to the dark-haired, strong-willed princesses!

Right from the beginning of chapter one, Rosehill and the Folkwood felt fully fleshed out, and the Cursed Court was its own unique world. How did you develop these settings as a team?

Helena & Elm: The setting was the thing we’d discussed before we’d finished writing Desert Nights—we both had this really clear picture of an enchanted forest and a woodland court. Luckily, we’re usually on the same page with these things because we tend to read the same books!

At the start of a new series, the worldbuilding happens quite organically with us having open-ended conversations, “What if…” or “How about this…”, with one of us (Helena) scribing, until we land on something we’re both excited about writing.

Partway through plotting An Enchantment of Thorns we did have a sudden panic that maybe we were picturing something quite different, so independently drew out how we imagined the Folkwood and the Cursed Court to double-check. We had almost identical drawings!

In the best-known versions of Beauty and the Beast, Belle starts out as a kind and dutiful daughter and not much more. But Aster, her counterpart in An Enchantment of Thorns, has a life of her own, from an ex-lover to a full-time job. How important was it to give Aster her own life and profession?

Enchantment of Thorns cover
An Enchantment of Thorns is the first book in a new series by indie authors Rookwood and Vince.

Helena & Elm: Part of what draws both of us to the Beauty character is that she’s a dreamer; in the original fairy tale, when her father promises to bring her and her sisters gifts, her sisters ask for dresses and jewelry while Beauty asks for a single rose. In that version, and a lot of the retellings, she’s also often quite an alternative character—she doesn’t always fit in—and that was something that appealed to us both, too.

In terms of how we made the character our own, the books we love to read are those with strong female leads. We also knew we wanted to make something more of the roses, which is how Aster ended up as a greenwitch. We wanted her to be kind like the Beauty in the original tale, but also talented and driven, so she could hold her own in a world ruled by fae.

Thorne is a really interesting Beast. I loved that he was humane and fair, yet you weren’t afraid to have him outright annoy Aster and have his bad moods, too. What are your favorite things about Thorne?

Helena & Elm: Thorne has a lot to learn from Aster. When we meet him, he’s kind of given up hope that the curse will ever be broken, but he hides that with this detached, often insolent, persona. The more you find out about his backstory, the more you realize there’s a lot of depth to him and why he acts the way he does.

He’s spent a lot of time wallowing in self-hatred, but Aster brings him back to himself. We like how they challenge each other, but in a good way.

As you were developing An Enchantment of Thorns, did Thorne always walk the line between dangerous and misjudged, or did he skew more in one direction more than the other? 

Helena & Elm: We actually had quite a tough time with Thorne, exactly for the reason you stated. We knew we wanted to make sure he was really fae—and for that to mean he would act in a way that wasn’t always human, not just for him to be really powerful or beautiful—but we also wanted to make sure he wasn’t totally unlikeable.

In the beginning, he probably skewed too far in the direction of being dangerous, so we ended up adding in sections to make his character feel a bit warmer during the editing process.

Helena, you’re two books in to the Carnival of Fae series (The Prince and the Poisoner and The Thief and the Throne), and Elm, you have the Star Cast series (Tapestry of Night), which provides another take on the fae. So clearly you’re both drawn to stories involving fae! What is it about fae that inspires you both?

Elm: I think for me, it’s the creative range. You can have these monstrous kinds of creepy folk that you see in, say, Holly Black’s writing, or the beautiful, almost elf-like High Fae in Sarah J Maas’s worlds. We wanted to include both in our world and explore different types of faeries.

Helena: I love anything involving fairy tales and folklore, so fae books are a natural way for me to explore those interests in my writing. Weaving mythology and plant lore into my books are two of the things I enjoy most, and I find them a big source of inspiration.

The Carnival of Fae and Star Cast series each point to future encounters with fae characters, but haven’t introduced any yet. They share a concept of fae being separated from humans. But in An Enchantment of Thorns, Aster and Laurel have direct encounters with fae from the beginning. How different was it to write a story where fae and humans are neighbors?

In both of our previous series, those worlds had been shaped by past interactions with the fae. That made our world in An Enchantment of Thorns very different to write as we were setting up the fae world and the human world at the same time, so had to give both equal weight!

Both of us enjoyed writing a world where the fae were present from the outset—so you might see more of that from us both in the future.

What’s next for each of you?

Helena: As well as continuing to work on the sequels to An Enchantment of Thorns, I’m also currently reworking an old series that will be re-released under the series title Faerie Awakens later this year. It was the first series in the genre I wrote, and I (shamefully) never got around to writing the sixth and final book, so readers have been waiting a long time for me to get back to this one! Having left it for such a long time, I’ve struggled not to see all the things I’d do differently, so it’s turned into a larger rewriting project than I imagined it would be.

Elm: I’m working on Herald of Fire, the second book in my Star Cast series. I’m also excited to continue with the A Court of Fairy Tales series this year. We have two more books planned following Aster, before moving onto other fairy tales featuring her sisters. The second book, A Trial of Thorns, is already written, so readers won’t have to wait too long to continue Aster’s journey with us!

Thank you for joining me today. I’d like to wrap up with a fun question and a bit of a challenge. Please complete the following sentence individually:

And they lived happily ever after…until the next book, where we throw more drama their way!

(I know you said to write this individually, and we did, but we’d basically written the same thing. That’s how in sync we are!)

An Enchantment of Thorns is available for pre-order, and will be released on May 6, 2021 . To read my ARC review, click here.

Helena Rookwood writes romantic fantasy. She is the author of the Carnival of Fae series, the River Witch series, and co-author of the Desert Nights series with Elm Vince. For more on the author, visit helenarookwood.com.

Elm Vince writes YA fantasy. She is the author of the Star Cast series and co-author of the Desert Nights series with Helena Rookwood. For more on the author, visit elmvince.com.

Indie Book Spotlight: Tapestry of Night (Vince)

In a world where only one late-bloomer can save her people from a terrible fate, the time has come…for another Indie Book Spotlight!

Tapestry of Night Review Graphic

The opening chapter of Elm Vince’s Tapestry of Night shows us that fate can be written in the stars—if those stars are charted properly. Thanks to the Stellar Sisters of Celestial Devotion, Cassia is an expert of making natal star charts, and she has an “uncanny intuition” to go with it.

Eventually, Cassia entrusts the reader with the exciting secret that she has the most unusual—and difficult to understand—prophesied fate of anyone. For a magically late-bloomer with no shortage of problems, there seem to be a lot of important roles heading Cassia’s way. Too many, in fact, to be solved in one book.

Which is why I need the next book.

This is Elm Vince’s debut solo series (Vince co-authored the Desert Nights series with Helena Rookwood). Teasers aside, Tapestry of Night really hit all the right notes for me. The tone isn’t overly dark and depressing, the truly bad guys are creepy, the love interests are unlikely and there’s a truly loveable alchemist to boot. The spy plotline is put to very good use. It reminds me of Brandon Sanderson’s The Final Empire (Mistborn series). Fans of Garth Nix’s Abhorsen series will probably love it, too.

There are a lot of details in the opening chapters about monstrous snatchers, mysterious nuns in astrology-themed convents, and a few types of magic. The backstory and said details are never piled on, but carefully set the stage for a riveting story in which the stars are nearly omnipresent. Tapestry of Night is literally and figuratively dark from the beginning, with warm characters and fanciful magic to light the way.

As the nature of the Governance is gradually explained to the reader, things get a whole lot darker. It’s illegal to be a mage in Myrsia, and those with a talent are taken by snatchers to become Governance slaves. They’re also fitted with alloy collars to restrict their magic. In the Governance’s eyes, magic is too dangerous, and the alloy makes it safe (but cruelly useable).

Unlikely spy: struggling to control new magic, Cassia must sneak away to “a quiet shadow in a city of light” in order to study with endearing alchemist Ptolemus.

And then there’s the Defiance. Hidden away in the Rust Desert, the Defiance is the last vestiges of the now-eradicated Guild’s magic-users, but signs of former glory exist in the capital, too. The glasshouses Cassia uses as a rendezvous point was once “created and tended to by the Guild’s earth-signers, housing exotic greenery from across Myrsia and beyond. Now they sit abandoned, the plants slowly trying to reclaim the building.” There’s a lot of horror and decay behind the capital’s pretty veneer.

Myrsia’s Governance is reliably crooked and pitiless (without any flat villains, just some blind ambition). But the Defiance may not be all they’re cracked up to be, either: after all, they kicked Cassia out as a girl, right after her father died on a mission, because she had no magic.

All that changes as Cassia wanders into adulthood. She has an empath’s gifts, but they refuse to work in the usual way. She can feel what others feel, not just sense it. And it’s pretty out of control besides.

Depending on whether she can learn to control her gift, Cassia just might be the Defiance’s perfect spy. But she has zero time to master it. With the life of a friend on the line, Cassia is about to head off to the capital with a fake identity, where she witnesses constant reminders of how important—and dangerous—her task is.

Eventually, as a side note, we hear there are fey out there somewhere, closed off in their own country across the sea. And for an unknown reason, the leader of the Governance is out there visiting them. This series has a whole lot of space to grow, with some interesting plot points set up for the next book.

The settings of Tapestry of Night are just as interesting, from a red desert to the peculiar convents to the inner bureaucratic chambers of the Governance. The Governance is sort of like evil Hogwarts at times, complete with its own wizarding ball.

On a copy editing note, the excess of commas can be looked past after a bit, so don’t let that stop you. This is a great take on magical “job classes” and a good late-bloomer story, too. Not to mention the spy-craft! I’ll be continuing with the series for sure.