Indie Book Spotlight: Spindle (Gingell)

Today we slap a well-deserved gold star on…

Spindle Review Graphic

Spindle, by W.R. Gingell (Two Monarchies Sequence Book One, 2015, New Adult Fantasy/Fairy Tales/Romantic Fantasy).


Do you like fairy tale re-tellings, in which the original story is folded, spindled (ha!) and mashed into the unrecognizable and unique origami shapes of a drowsy heroine pretending to be the legendary sleeping princess people think she is, a little boy pretending rather convincingly to be a dog, an absent-minded wizard not even pretending to be listening (whose catchphrase might as well be “Huh. That’s interesting”), a malignant magical cube on a battlefield, a village in the shape of a spiral that’s bent by a jinx and an obvious but slippery villain?

Phew. That was one quirky mouthful. Today’s indie book spotlight lands on W.R. Gingell’s delightful Spindle, a fun and absorbing retelling of Sleeping Beauty that resembles the original almost not at all, in the very best way.

The magic system of Spindle is thread-based and interesting (and also literally hairy), with three different types of magic, each rarer than the last. The reader is dropped into it with no explanation. That leaves us catching up with what cursed heroine Poly (the non-princess sleeper) is discovering she can do as she discovers it, and as mystified as she is about what her rescuer, Luck, does with his magic. And he isn’t one to explain. It gives the world an authentic feeling, and keeps the pages turning, too.

Warm, silly, creative and clever: Not every book can surpass its typos like Spindle can. This wacky and wonderful book deserves all the stars I can chuck at it.

It isn’t a perfect book, but don’t let that stop you. The grammarian in me warns you that there are more typos in this book than the other high-quality indie books I’ve reviewed. Hyphens are almost nowhere to be found in the entire text, and the writing at the beginning left me as fuzzy as newly-awakened Poly. But its almost lyrical quality and the twisted presentation of an old tale cued me that this was worth reading. By the end I was beaming, and also leaving five star reviews without hesitation.

This isn’t a book that leans on its fun settings and quirky characters alone, either: it’s as imaginative as a fantasy reader could ever want. I continue to be amazed by the way little aspects of the plot and world-building came together at the end. It was clearly well-thought out and cleverly executed. And it’s enjoyable. You’ll find serious stakes and fierce fights here (and a bit of violence), but no endless doom and gloom.

Poly is also a heroine who gets kissed awake, then slugs her disinterested smoocher. She continually demands her personal space, which helps the romance feel earned. And she’s not a one-man gal, either; she has a couple forays into youthful romances, and who she ends up with is never truly a given (although a pair of time travelers threaten to spoil the suspense).

Spindle has more depth than just a romance plot, too. More than one kind of love is integral to the plot, and Poly’s development: there are parts about female friendship and kinship where there could have been a solid rivalry, a melancholic side-plot about the man who could’ve woken her, and a growing bond with the boy-turned dog that is crucial to Poly reclaiming a life after so many years of sleep. All of this advances the plot—and presumably sets it up for the next book in the series.

Well-rounded, often funny, carefully developed, with unique magic systems and a dive in-able magical world, Spindle is a fabulous book. Get past the opaque earliest chapters and typos, and you may adore it just as much as I do.

Supporting diversity in fantasy

Supporting Diversity in Fantasy

I’m back.

I wanted to reaffirm my commitment to reading authors of diverse backgrounds, and stories featuring diversity and non-white leads (something particularly important in fantasy). I’m going to do this by making a more concentrated effort to read said books, and by making sure I review the ones I’ve already read.

We’ve all seen how fantastic books like the three in N.K. Jemisin’s The Broken Earth series have changed fantasy. We need more. We need international authors in translation, diverse authors, diverse characters, and a broader and more authentic inclusion of other cultures in our world-building.

Just think about the way Russian mythology in Katherine Arden’s The Bear and the Nightingale felt like a breath of fresh air, and you’ll realize just how narrow fantasy is. Let’s not do that anymore. Give us all the places. Show us the cultures and well-rounded characters. Support books that do that by buying or borrowing them and leaving reviews along with me.

Note: I’ve updated this post to include a few author recommendations of my own (and one new author I’m excited about!), in no particular order, below.


Authors You’ll Love

Alexis Hendersen

The Year of the Witching is all the mystery, horror and serious trouble with witches you could ask for.  Don’t expect it to wrap up too neatly: a sequel is on the way to this beautifully (and creepily) descriptive book.

Bethany C. Morrow

A Song Below Water (YA Fantasy) is as compelling as…you know (my review here). A wonderful story of found-family sisterhood, identity, protest and myth set in a version of our world with modern mythological beings. The Renaissance fair mermaids might not be real, but the sirens and elokos are. A second book in the series, A Chorus Rises, is due out this year.

Intisar Khanani

Khanani is an indie author who is now a traditionally published one, too. She writes strong, diverse heroines, like Hitomi in the Sunbolt Chronicles (read my review of Book One here.) She is also the author who changed my mind about self-publishing.

N.K. JemisIn

The queen of science fantasy, if not all of fantasy. Jemisin won three consecutive Hugo Awards for The Broken Earth Trilogy, a series that knocked my socks off and only got better. With literary-caliber writing and an original world, Jemisin broke the mold in fantasy and made a new one. And there are more highly acclaimed books and series by Jemisin, too.

Silvia Moerno-Garcia

If you don’t know her yet, you will. Mexican Gothic will soon be a series (I can’t say this enough: don’t let anyone spoil the plot twist for you). But it’s Gods of Jade and Shadow that won, and broke, my heart. A classic fantasy odyssey set in Mexico and using Mayan and other regional mythology, it’s a truly unforgettable book.

Stephanie BwaBwa

Seraphim Falling (YA Epic Fantasy) is on my TBR list! With her first book released in 2020, BwaBwa is a more recent discovery of mine, and with a series that reminds me of Sharon Shinn’s Samaria series, I can’t wait to check it out!


Read More:

Kobo: 10 must-read diverse sci-fi and fantasy novels

Book Riot: 9 Diverse Fantasy Books that will Challenge your Idea of Fantasy Fiction

BookBub: 13 Acclaimed Sci-Fi and Fantasy Novels by Black Authors

Cheers and be well,

-C.K.

The C.K. Beggan Bookish Blog

The C.K. Beggan Bookish Blog

Welcome to The C.K. Beggan Bookish Blog! If you’re looking for your next read, titles are listed alphabetically and divided by indie and traditional publishing. (If you look closely enough, you may even find some non-fantasy books.) And while you’re here, don’t forget to check out the author interviews and special features, which include book lists by theme!

Independently Published Books: C.K. Beggan‘s Indie Book Spotlight

Fiction

Reviews of the best (and my favorite) fantasy and speculative fiction novels I’ve come across so far, all by indie authors.

Atheist’s Angel (Anna Velfman)

Avalanche (Anna Velfman)

Between Jobs (W.R. Gingell)

The Borderlands Princess (Ophelia Wells Langley)

Bride of the Shadow King (Sylvia Mercedes)

The Cracked Slipper (Stephanie Alexander)

The Crown Plonked Queen (Andrew Einspruch)

The Cursebound Thief (Megan O’Russell) 

Cursed (Callie Pey)

A Darkness at the Door (Intisar Khanani)

The Daughter of Earth (Callie Pey)

Daughter of Shades (Silvia Mercedes)

Droplets of Magic (Emily Bybee)

The Eastie Threat (Andrew Einspruch)

An Enchantment of Thorns (Helena Rookwood & Elm Vince)

Enchanting Fate (Ashley Evercott)

The Fool and the Sparrow (Dana Fox)

The Fox and the Briar (Chesney Infalt)

Frozen Hearts and Death Magic (Day Leitao)

Guardian of Talons and Snares (Anastasis Blythe)

Heart of Cinders (J. Darlene Everly)

Her Dreadful Will (Rebecca F. Kenney)

Icedancer (Anna Velfman)

The Lily Gate (Hanna Sandvig) – coming soon

Maiden of Candlelight and Lotuses (Anastasis Blythe)

Married by Fate (Jenny Hickman)

Married by War (Sarah K.L. Wilson)

Married by Wind (Angela J. Ford)

Music of the Night (Angela J. Ford)

Of Heists and Hexes (S.L. Prater)

Of Roses and Rituals (S.L. Prater)

Of Silver and Secrets (Sylvia Mercedes)

Of Smoke and Shadow (Ophelia Wells Langley)

Phoenix Heart, Season One, Episode One: Ashes (Sarah K.L. Wilson)

The Prince and the Poisoner (Helena Rookwood)

A Promise of Thorns (Helena Rookwood & Elm Vince)

The Purple Haze (Andrew Einspruch)

Rise of the Fire Queen (Alisha Klapheke)

The Road to Farringale (Charlotte E. English)

Stolen by the Shadow King (Alisha Klapheke)

Sunbolt (Intisar Khanani)

Spindle (W.R. Gingell)

Sting Magic (Sarah K.L. Wilson)

Snowblind (Anna Velfman)

Tapestry of Night (Elm Vince)

The Thief and the Throne (Helena Rookwood)

A Trial of Thorns (Helena Rookwood & Elm Vince)

Throne of Sand (Helena Rookwood & Elm Vince)

To Carve a Fae Heart (Tessonja Odette)

Twelve Days of Faery (W.R. Gingell)

Warrior of Blade and Dusk (Anastasis Blythe)

Wish Marked (Lissa Bolts) 

Wizardom Legends: Thief for Hire (Jeffrey L. Kohanek) – coming soon

Nonfiction

Traditionally Published Books: Reviews of All My Favs

My favorite books in the fantasy, noir, literary and speculative fiction genres that have been released by traditional publishers.

Author Interviews: One Author to Another

A new category! In which I do my best to pose thoughtful questions to some of my favorite indie authors.

Anastasis Blythe, live October 1, 2022 – 11 Questions with Anastasis Blythe, author of Guardians of Talons and Snares

Chesney Infalt, June 3, 2022 – 10 Questions with Chesney Infalt, author of The Fox and the Briar

Anna Velfman, April 15, 2022 – 10 Questions with author Anna Velfman, author of Snowblind

Andrew Einspruch, May 25, 2021 – Questions with the hilarious, award-winning author of The Light Bearer

Helena Rookwood and Elm Vince, April 10, 2021 – Questions with the co-authors of An Enchantment of Thorns

Special Features: Authors, Books and Writing

From Ask an Indie Author to trivia to Book Lists, find blog posts featuring by topic, writing tips andIndie Author Spotlights.

Indie Author Spotlight: Tessonja Odette – August 2022

Of Thieves and Shadows cover reveal! (BOMM tour) – live 8/23/22

Rise of the Fire Queen is here! (Book News) (8/7/22)

Ask an Indie Author with Ashley Evercott – How I make my book covers shine on social media? (7/15/22)

Indie Author Spotlight: Anthea Sharp – June 2022

Six of Crows month content (June 2022)

8 Fantasy Books with Delicious Cliffhanger Endings (Including Six of Crows)

9 Fantastic quotes from the Six of Crows duology

10 Books to read after Six of Crows

Kaz Brekker and my Fjerdan heist level character hangover

Trivia: Do You Know Kaz Brekker?

Trivia: How well do you know Six of Crows?

Trivia: How well do you know the Six of Crows duology characters?

From Storm and Shadow cover reveal! (BOMM tour) – 5/30/22

16+ Awesome Asian-Inspired Fantasy Worlds – 5/27/22 – A book list with settings from the Middle East to the Pacific Islands

Weaver cover reveal! (BOMM tour) – 5/10/22

Vow of the Shadow King cover reveal (BOMM tour) – 5/4/22

A Throne of Shadows Cover reveal! (BOMM tour) – 4/28/22

A Darkness at the Door cover reveal – 4/22/22 – in which I discuss the Dauntless Path series and reveal the fabulous cover

Retellings to Thrill Any Fantasy Reader – A complete list of fairy tale and classic book retellings I’ve reviewed on the blog

Supporting Diversity in Fantasy – A mission statement for the blog, plus links to authors who feature diverse characters in their work

Lessons from Bestsellers Part I (Using Contrast to Create Depth) – Learning from Hannah and Leo in The German Girlby Armando Lucas Correa

Lessons from Bestsellers Part II (Using Contrast to Create Depth) – A look at the many sides of Ali in S.A. Chakraborty’s City of Brass

Lessons from Bestsellers Part III (Using Contrast to Create Depth) – A mystery and a terrible truth rounds out Bethany C. Morrow’s A Song Below Water

5 Awkward Situations to Make Your MC Shine – Examples of awkwardness that endear main characters to readers in some of my favorite books

YA books that changed the game (#3 of 9)

I read this one 20+ years ago, and it’s stayed near and dear to my heart all this time. Which means I had to re-read it before posting this. I’m talking about the one, the only…

Alanna: the First Adventure (Pierce) Review

Alanna: The First Adventure, by Tamora Pierce (The Song of the Lioness, 1983, YA Fantasy/Adventure)

This one seems short compared to today’s YA fantasies, with a classic plot line and a wonderfully designed world (Pierce uses the same world for other series, including The Numair Chronicles and The Immortals—and often the same characters). The young, small hero(ine) overcomes her weaknesses through hard work, is brave and doesn’t back down as she strives to become a knight. She just has to pretend to be a boy to do it.

Alanna is a rough-and-tumble, capable and sometimes temperamental girl, and to her, it is completely not fair that she isn’t a boy. That honor goes to her twin brother Thom, her complete opposite: young Alanna is afraid of the magic she holds, while Thom loves it; Alanna is kind and considerate (one would say honorable and chivalrous), Thom not so much, though both twins have a mischievous streak; and Alanna loves hunting, sword play, riding horses, archery—you get the idea—while Thom sees little point to wielding things with points.

A switch is in order, with Alanna becoming Alan and going off to service at the palace, while Thom, destined for the same, goes to the City of the Gods to learn all that magic stuff Alanna hates. She doesn’t have to become a lady, and he doesn’t have to become a warrior.

But Alanna doesn’t get to leave magic entirely behind. She has a true gift for healing, and a warning from the gods says that she must heal to make up for the lives she’ll take as a warrior (you don’t hear anyone telling the real boys that; no wonder she doesn’t listen at first). For all her magic, even she can’t change her nature. Being a girl threatens to deny her everything she’s ever wanted; the strict gender roles of her time and country mean she can’t be herself.

Alanna’s non-stop adventure isn’t just a feminist tale, it’s a human one that every developing human could benefit from–and of course enjoy.

Many of the things Alanna thinks and says seem to suggest a transgender child; perhaps she would be if the story were written later, but that doesn’t appear to be Alanna’s theme. She always intends to reveal she’s a girl–after she becomes a knight, so they can no longer deny her. In a straightforward way that is part of (and not a high-horse diversion from) the story, Alanna is about the restrictions gender roles put on everyone, and how it affects a person’s destiny. Alanna defies it, but most of us struggle to, won’t or can’t. She’s a hero where heroes cannot tread. How many YA fantasies manage to show their readers that?

Other books in the genre, set in a prior period, manage a tough and adventuring gal on a horse—but like Ginger Rogers (she did the same as Fred Astaire, except backwards and in heels), YA fantasy heroines often have to do it all with long hair and a skirt or dress. Not Alanna. She fully embraces her kingdom’s male role, even if mother nature sometimes gets in her way. Even Aria Stark never has to pause for a period.

I wouldn’t have understood the value of all this, reading it for the first time as a young teen (I think the extent was: Girl becoming a knight! Thrashing the boys and proving herself! Yeah!). The way all of this is handled in Alanna is at just the right level for a young person, yet better appreciated as an adult.

At the same time, I can’t help wondering how much I already identified with Alanna’s plight when I was young, and how much every young teenage or pre-teen girl does. I didn’t remember Alanna’s lamentations about being a girl who’s not allowed to do things, which means I either thought it was just part of the story and had nothing to do with today, or on some level took it as true. Now it stands out. It almost seems too obvious.

Other parts of Alanna: the First Adventure I remembered clear as day, like a trip back through time (a truly great book, or song, can do that). I remembered reading one particular scene with the Thief King George on my grandparents’ couch one summer, like it’s a photograph. It very happily took me back. Still, on this re-read, the level of Alanna’s ire at being stuck as a girl surprised me.

It’s not just her, though: her brother Thom wants nothing to do with the path expected of him as a boy-slash-son, which is neatly done; he also has to pretend to be less intelligent and talented than he is, so he doesn’t earn undue attention and won’t be perceived as a threat. This isn’t a feminist tale, it’s a human one. And I would recommend it to any developing human.

All of that was just about the premise, which matters, of course, but doesn’t do it justice. Alanna: the First Adventure is also a lovely read, and Pierce’s writing can draw a person in and keep them there, even if you only give her less than a page. After all these years, I can’t stop myself from rooting for Alanna, an undersized, courageous and stubborn heroine, like she’s real. Then again, why would anyone want to try?

Up next in this blog series: Wild Magic (The Immortals), also by Tamora Pierce.

Indie Book Spotlight: Throne of Sand (Rookwood, Vince)

In today’s Indie Book Spotlight, we revisit Helena Rookwood, author of the excellent new adult fantasy/romantic fantasy The Prince and the Poisoner (see my review from March 2020 here), and are introduced to her friend and writing partner Elm Vince in:

Throne of Sand (Desert Nights Novels Book 1), by Helena Rookwood and Elm Vince (April 16, 2020; Teen/YA Historical Fantasy, Historical Romance, Asian Historical Fiction)

(Note: I received a free digital copy of this book in exchange for an honest review.)

Familiar, then unexpected.  Throne of Sand is a book that caught me by surprise—in a very good way.

Its basic premise is not so unusual, with a tenacious, un-ladylike for the times female lead.  It’s written in familiar, contemporary language (not my favorite for a story in an older era, but it ended up suiting the action well).  As a retelling of Aladdin, it’s a story we’re well acquainted with (comfortingly so), complete with cheeky little nods to the movie adaptation and callbacks to the original folktale (this djinni is in a ring). But this time, the hero is a heroine: Zadie, the princess who reads, writes, rides bareback and knows her way around a trade agreement.  In other words, she is not the princess her fiancé expects.

Especially because Sultan Kassim was engaged to her sister.

Zadie hides a very large secret, having helped her sister elope with a commoner she loved.  But the replacement princess is not all virtue and romantic ideals: Zadie wants her sister to be happy, but she also wants a chance to rule, something she’s prepared for and never had a chance at until now.  She’s not above a little manipulation, and her servants are not above caking her with makeup to make her the legendary beauty Kassim was promised.

This Aladdin retelling is fast, full of action and fun–and even the djinni gets a backstory.

After a very tense meeting with the sultan, Zadie travels to her future kingdom, where she spends her time ditching her servants and trying to prove she can be a sultanah who rules, rather than one who just looks pretty on her powerless throne.  She has to balance her kingdom’s need for the marriage to go through with getting what she wants.  The tightrope act soon gets irritating, both for Zadie and for this particular reader.

Fortunately, Zadie’s adventurous nature gets the better of her and the best parts of the story come on fast, full of action and fun. Even rude, tradition-obsessed Kassim, whose sole virtues were his title and muscles, starts to soften after a bit.  The wooden sultan becomes a real boy, and it turns out he isn’t half bad.

I wasn’t familiar with Elm Vince before this, but I knew from The Prince and the Poisoner that Helena Rookwood can write amazing and unique female characters (resilient ones, to be sure).  Like the royalty in The Prince and the Poisoner, nobody’s a hero or flat-out scoundrel in the courts of Throne of Sand.  The characters in this tale are also more dynamic.  We see them grow, show their true colors and correct their mistakes throughout the story, and Zadie turns out to be a great deal of fun as a main character.

She certainly knows how to find trouble, too.  Like Rookwood’s Lira, she never crumples in the face of it (unless, you know, it’s physically impossible not to.  Again, there’s a lot of great action in Throne of Sand).  Zadie has intelligence, diligence and toughness to commend her, and whenever she has a sheltered princess moment or two, she manages to redeem herself with her cleverness sometime after.

This is one of those books that I really looked forward to picking up again, only to remember I’d just finished it, which left me really disappointed that I couldn’t go back for more.  (Thank goodness the sequels are now out.)  Our princess may start out helpless and a little on the scheming side (and a lot on the naïve side), but beneath all that is true, three-dimensional character, and just the right traits for someone who hopes to rule.  For all my grumbling when I started reading, it becomes impossible not to root for her—and important that I must read what happens next.

Free Classics So Worth the Read

Free Classics So Worth the Read

Most of us have a lot of unexpected time on our hands at the moment (please stay healthy out there, everyone).  A lot of us are have time for all these things we’d always wanted to do but now lack the budget.  (Ahem.  My new Social Isolation comic is also free.  Read it in good health.)  So here are some public domain books available for free (note: I say it like that because not all copies are free.  Some get gussied up with fresh covers and forwards and the like, as opposed to the free digital copies you can find in the Amazon kindle store, Project Gutenberg, etc.).

In a nutshell, these are all books that I have read and that I thought added value to my days.  And were free.

  1. Peter and Wendy, J.M. Barrie. Kind of a spoiler (but not an important one): Did you know Peter completely forgets Tinker Bell ever existed? Yup, this is not the Disney version you know, or even the one you glimpsed in movies like Finding Neverland.  Peter isn’t just the eternal child, he’s the ultimate child, with all the strengths and weaknesses that includes.  A wonderful read that is sometimes shockingly different from the story I thought I knew.

  2. The Phantom of the Opera, Gaston Leroux. Another great read, with aspects not found in any production I’ve seen (the musical, the Claude Rains version of the movie, the old soundless version…I’m quite the Phantom fan).  It is, of course, violent.  But if you still feel the sympathy for the phantom that the musical offered, that just shows how masterfully it’s written.  It’s more twisted (and inevitably darker) than any version of the story you may know.

  3. Anything Jane Austen, Jane Austen. Okay, I haven’t read ALL her works. But I have Northanger Abbey on my Kindle, and Pride and Prejudice is one of my favorite books.  Jane Austen is always worth a revisit or a first look.  Of the ones I’ve read, however, Pride and Prejudice is by far the funniest (but still romantic, even if you aren’t picturing a young Colin Firth as Mr. Darcy).

  4. A Room with a View, E.M. Forster. Wow, did Forster ever write great female characters, by which I mean fair, realistic and interesting portrayals. Howards End (possibly the more famous book) is on my personal wish list, but this one I’ve both read and enjoyed.  I can’t say enough good things about PBS’s recent adaptation of Howards End, which also made me recall this book fondly, so here we are.  Is something wrong with me?  Probably too much Chopin.

  5. Henry V, William Shakespeare. War! Redemption!  Grief!  Courage!  Surprisingly tender romantic overtures at the very end!  French lords whose names you recognize from wine!  Well, what are you waiting for?

  6. Wuthering Heights, Emily Bronte. I first read this in high school as a pick of a reading list. A classmate who’d already tackled it gave me some of the best reading advice I’ve ever heard: “It’s slow at the beginning, but keep going and it gets REALLY good.”  Slow was an understatement (one might say boring), but then all the sudden the story truly started and I was engrossed.  This book is now one of my all-time favorites, and might be the book I’ve read the most times.

  7. Tao te Ching, credited to Lao Tzu (various translations). If you haven’t read it yet, then why not? I picked this up at a time when I was beginning a period of self-reflection and in very need of a little macro view on life, the universe and everything.  It brought me a bit of peace, it brought me a bit of a new perspective, and it brought me (you guessed it, just a bit) into a different type of thoughtfulness and awareness.

    That’s not to say you need to have a somber or searching state of mind to read it.  It’s not very long, but it can be contradictory, opaque, and some say it is best read in the language it was written in.  Could the way I felt about it be the effect of reading something very different than what I was used to, that can feel a bit obscure so that my focus was on figuring out what something meant rather than, say, worrying about my dumb problems?  Sure.  Either way, it was great.

    Note: It is possible to find versions of the Tao te Ching that rhyme (I have a hard copy like this), which means the text has been bent to accommodate English words, rather than finding the English words to accommodate the text.  After reading a plainer translation, I found the rhyming kind of difficult to read and not as good an experience.  But maybe you could use a jaunty rhyming scheme right about now, who knows?

There you have it!

Cheers and stay well,

-CKB

Indie Book Spotlight: Sunbolt (Khanani)

I’m trying something new tonight.  This is about to be my first Indie Book Spotlight:

Sunbolt Review

Sunbolt (The Sunbolt Chronicles #1), by Intisar Khanani (Clean YA Fantasy; 2013)

This one’s a fantasy, and would work for YA-readers.

Note: the author is soon to leave the indie ranks, though The Sunbolt Chronicles are staying in the self-published realm as of this post.

So what’s it about?  An ethnically mixed foreigner in a place where that’s a dangerous thing to be, where sinister government plots are afoot (plus those who are working against them).  The main character, Hitomi, dashes through a vibrant market, meets vampires and werewolves, steals to survive and rebels to live.

OK, so when I started reading this I thought, “Yeah, this is a good story.  Well-written.  Not really my taste though.  Why did I buy it?” Then I kept reading and found out.  Yup, Sunbolt was for me.  And I loved it.

Hitomi was a breath of fresh air, and Sunbolt and its sequel (Memories of Ash) taught me a lot about good world-building.  It was also a perfect remedy for the doom and gloom of other fantasy tales I’d been reading.

I actually had no idea the author was self-published until I reached the end (which did come too soon, but in a “Where are the sequels, I need them now!” sorta way).  Khanani, who will be traditionally published with a new version of her novel Thorn, writes clean fantasy, meaning her work contains suitable language for a wide audience.  Mind you, the monsters and violence in Sunbolt may scare younger readers and could be inappropriate.

Official synopsis:

The winding streets and narrow alleys of Karolene hide many secrets, and Hitomi is one of them. Orphaned at a young age, Hitomi has learned to hide her magical aptitude and who her parents really were. Most of all, she must conceal her role in the Shadow League, an underground movement working to undermine the powerful and corrupt Archmage Wilhelm Blackflame.
When the League gets word that Blackflame intends to detain—and execute—a leading political family, Hitomi volunteers to help the family escape. But there are more secrets at play than Hitomi’s, and much worse fates than execution. When Hitomi finds herself captured along with her charges, it will take everything she can summon to escape with her life.

That’s all.  Thanks for reading!

-CKB