Interview: Andrew Einspruch (The Light Bearer)

An Interview with Author Andrew Einspruch

Recently, I had the privilege of interviewing author Andrew Einspruch (The Purple Haze), author of the wonderfully quirky fantasy series, The Western Lands and All That Really Matters.

Besides the humor he brings to fantasy—a rarity in a sometimes overly serious genre—Andrew Einspruch is an interesting interview subject for many reasons. One such reason is his other job: that of caretaker for animals in the A Place of Peace farm animal sanctuary.

Cover of The Light Bearer, Book 3 in the series by Andrew Einspruch
The Light Bearer is Book 3 in Einspruch's The Western Lands and All That Really Matters fantasy series.

You recently won an ACT Writing and Publishing Award for 2020 Fiction, for your fantasy novel The Light Bearer (Book 3 in The Western Lands and All That Really Matters series). What went through your mind when you heard you won?

Actually, I missed the email that told me I’d won. I got an email that said, “Come to our office to have a video made of you?” and I was like, “Huh?” 

But, of course I was totally thrilled. It is always lovely when someone likes your work, and it was my first writing prize. I was super chuffed. And then I told myself to get back to writing.

I describe your writing in The Western Lands and All That Really Matters as The Hitchhiker’s Guide to the Galaxy for fantasy, but it also has a heart-warming side. Were there any particular books you’ve read that helped you develop your style?

I’ll take being compared to Douglas Adams any day. 😁

Developing my style probably comes down to everything I’ve read and enjoyed. I certainly loved the Hitchhiker’s books. But I’ve always been drawn to wordy, nerdy humour — I’m a big fan of Weird Al Yankovic and Tom Lehrer. Monty Python was a big influence when I was young. I’m a huge fan of William Gibson, and make a point of re-listening to his books every couple of years. But it all mushes together in my brain into a glob of influence rather than a single thing that I can point to.

To borrow a question from Seth Meyers, when did you first know you were funny? Was there an aha moment when you realized you had the ability to make people laugh and entertain them?

In high school, I was involved in my temple youth group’s production of the musical “Two By Two,” about Noah. I played Noah’s oldest son, Shem. I don’t think I was all that good, and I certainly had no idea what I was doing, but somehow — miraculously — on the evening of the performance, I relaxed into the role and brought some life to it. I delivered one of the lines (sorry, can’t remember which) using a funny, mocking voice I’d never used before. It got a big laugh, and the first hints of a light bulb went off over my head.

Eight years later, my good friend Robert Lowe brought improv comedy to Atlanta. We knew each other from our aikido training, and in 1984 he said, “I’m going to start teaching improvisation,” to which I said, “I’d do that.” So I went along to the first class he taught, and it was only a matter of weeks before that I went on stage for the first time. Audiences laughed and I became part of the troupe that evolved from those first classes.

You’re originally a Texan! What brought you to New South Wales, Australia, and how long have you lived there?

In 1986, I met the most wonderful woman in the world, an Aussie named Billie Dean (see: billiedean.com). Eleven months to the day later, we got married. I moved to Oz to be with her, and we’re still together today.

What’s the most Texas sentence you can think of?

“Hook’em horns!” (It’s the chant and finger symbol of the University of Texas at Austin, where I did my undergrad work.)

Having said that, when I meet someone who knows a language I don’t know, I try to get them to translate, “Get yer butt off my Cadillac.” I’m led to understand it is a difficult concept to translate into Swahili.

What’s the most NSW sentence you can think of?

I can’t find the actual quote online, but I once heard that the late NSW Premier Neville Wran once said of politics, “You can’t grow mushrooms in a mortuary in NSW without someone complaining.” Whether he said it or not, I love that quote.

Let’s talk about all those lovely, quirky characters you write. Your characters were specifically mentioned as a reason the ACT Writing and Publishing Awards chose The Light Bearer. What stands out to me is the humanity you give each of them (regardless of species!). Did that come naturally? Or did some characters challenge you a bit more?

Photo of Andrew Einspruch
A native of Texas, Andrew Einspruch helps his wife, Billie Dean, run the Deep Peace Trust, in New South Wales, Australia. The sanctuary faced challenges during and after the bushfires of 2019-2020.

The characters’ humanity emerged quite naturally. I live with hundreds of animals, and the philosophy I’ve adopted from Billie is that we treat them with respect, dignity, reverence, and a sense of equality. Bringing that to my fiction was not any kind of stretch, it was an extension of who I am.

Animals play a large role in the Western Lands and All That Really Matters series. They also play a role in your day-to-day life. Tell me about the Deep Peace Trust.

The Deep Peace Trust is our family-run charity that fosters deep peace and non-violence for all species who share our planet. Our compassionate action is running A Place of Peace, Australia’s largest farm animal and wild horse sanctuary (see deeppeacetrust.com). We have cows, horses, goats, sheep, cats, dogs, and geese, all of who faced a not-great future until they came here.

In February 2020, your newsletter about the bushfires appeared on this blog. How did the bushfires of 2019-2020 change the sanctuary and the landscape around you? Have you seen much recovery since that time?

The fires were devastating to our part of the world, both physically and emotionally, especially since they came at the end of three hard years of drought. We lost most of our bushland to it, around four kilometres of fencing, and our cattle yards. 

But we were lucky. The sanctuary animals were all OK, and while there were certainly wildlife losses, we were able to put out food for those who survived to help them keep going. Others, even neighbours, were hit much harder than we were, and it was a very scary time. Still, we’re here to tell the tale and the bush is showing its resilience in the year and a half since.

Humanity is living at the sharp edge of climate change. We all have to do what we can to address that problem in a serious way or things will only get worse.

What are the biggest challenges you’re facing at the sanctuary right now?

The biggest challenge for us is always to make sure we have enough hay and feed to carry the animals through winter and other tricky times. So, fundraising is a constant need for our not-for-profit charity. The animals are our first and last priority, and making sure we have the means to provide for their sanctuary is issue #1.

After that, it’s making sure that everything we need for their care is in place, whether that’s fencing for the paddocks or supplements for challenged or special needs animals.

Wondering what brumbies are?

A brumby is a well-adapted feral Australian horse and a cultural symbol. Concerns about overpopulation and over-grazing mean brumbies face some of the same challenges as American Mustangs. Want to know more? This article from ihearthorses.com gives a summary.

Have the animals at the sanctuary inspired any of your characters?

Absolutely. The wombats here inspired the Wombanditos (the fiercest gang with bad eyesight in all the realms! Heeyahhhh!). Our geese inspired a character in the not-yet-released book five named Headlong Helda. And our brumbies have influenced my thinking about the horse characters, like Hector and the Nameless One.

You recently said you’re 87k into book five of Princess Eloise’s story, which for you is only three-quarters done. Coming from a middle-grade background, was learning to write longer works ever a challenge for you?

It wasn’t even middle grade. My kids books were for primary aged readers, mostly. And yes, writing longer was definitely a challenge. I had to learn that if the characters were here, and you wanted them over there, you had to write the bits to connect those dots. Plus, I had no idea how long these stories were going to be. When I started, I thought, “Oh, this’ll be a little 35,000 word YA book.” The Western Lands and All That Really Matters books are more like 125,000 words each.

When all’s said and done, how many books do you think will be in the Western Lands series?

There are three books that are out (The Purple Haze, The Star of Whatever, and The Light Bearer), plus the two standalone prequels (The Wombanditos and The Thorning Ceremony).

As I write, book four is just about to go to the editor. Book five is now 106,000 words into its draft, and I’ve written the first 2,000 words of book six. So, definitely those six. After that, I’ll have to see.

Do you have an idea for your next series?

The above books will likely keep me busy for a while. I have vague ideas for other stories to set in the Western Lands. But there are other books whispering to me, asking me to give them attention. I’ll use the time that it takes to finish book six to figure out what’s going to be written after that. 

The Purple Haze Book Cover
Cover of The Purple Haze (The Western Lands and All That Really Matters #1)

Thank you so much for joining me today. For your final question, I’d like to give you the same challenge I gave to the authors in my first interview. Please fill in the blank:

They lived happily ever after and were kind to all they met.

The next installment in The Western Lands and All That Really Matters will be released later in 2021.

Andrew Einspruch is the author of The Western Lands and All That Really Matters fantasy series and both fiction and non-fiction books for young readers. He lives in New South Wales, Australia. To learn more about this author, please visit https://andreweinspruch.com.

Want to help the Deep Peace Trust? Visit deeppeacetrust.com/donate or, for their current fundraiser, https://chuffed.org/project/winter-in-your-hands. To learn more, visit deeppeacetrust.com.

Review: Tempests and Slaughter (Pierce)

A Review of Tempests and Slaughter

This is the story of how Numair, a beloved character in The Immortals series, became the (ahem; nerdy but a touch amorous) sorcerer we know and love. It’s the story you didn’t know you needed, with a quieter approach to a Hogwarts-like school and a simmering undercurrent of the disaster that is to come. It has a different tone than some of Tamora Pierce’s other YA novels, and I think it would be enjoyable for readers of fantasy as well as YA fans, and to newcomers to Pierce’s work.

Gladiators aside, this is not the violent story you’d expect from the name. The key word, in fact, is in the series name: The Numair Chronicles. There are animal gods, two kinds of magic, first love, dedicated friends, puberty and one prodigiously talented little boy who is about to grow up.

Origin story
Tempests and Slaughter tells the story of a young Numair (Arram Draper) and Ozorne, the “leftover prince” who will become the villain in The Immortals series.

Arram Draper has a Harry Potter-like knack for finding conspiracies and trouble. What he lacks that Harry excels at is the ability to fully pursue them. The future Numair is often told to stay out of it and keep quiet by his trusted teachers, who vow they’ll handle it. But the trouble and foreshadowing just keep coming. Sound frustrating? It is! But this also makes it realistic, interesting and very, very tense.

Arram’s first friend at a school for older mages-in-training is another prodigy: the “leftover prince,” Ozorne. There are peeks at a temper, but his bad side, including his biases, get written off due to his family’s tragic history. And after all, he’s just a boy mage. What’s the worst that could happen?

Tempests and Slaughter is full of slow-burn foreboding like that. It allows the reader to know better without begrudging the characters for not putting two plus two together; they can’t see the future, and the vast majority of the time, Ozorne is no different than any other good-natured but burdened kid. He’s is a protective, wonderful friend to Arram, like the perfect older brother for the vulnerable young mage.

Another perk of being friends with Ozorne is that Arram meets Varice, a sensible and increasingly elegant young woman whom Arram risks ruining their trio of happy friends over: he doesn’t know Varice for long before he has his first real crush.  To Arram, the far more mature Varice seems unattainable, even as he takes on a slew of tasks meant for older teens or an adult.

This book left me eager to read more, ready to re-read The Immortals series and, sometimes, very annoyed. There is no satisfying wrap-up in sight: readers of The Immortals know more trouble is down the road, and nothing that happens in this series will change it. The future is literally already written.

But the looser structure of the story, flying through Arram’s years of training and many growth spurts, leaves room for a lot of action and milestones. Very little of the problems he comes across get resolved (or can be resolved) in one book.

This is a story that just keeps opening further and had to pause somewhere, which means I feel a little tortured between books. Fortunately, it’s a great thing to be tortured by Tamora Pierce’s characters, and I will absolutely have to read what happens next.

Tempests and Slaughter is a classic coming-of-age tale with a dark, magical twist. While Arram undergoes many rites of passage throughout the story, his status as a prodigy (and friendship with a river god) means he also takes on many roles suited for an older teen or adult.

Tempests and Slaughter is never overly violent and focuses mostly on relationships between the characters. Fans of fantasy in school settings will really take to this one. Fans of The Immortals series will be happily glued to it.

To learn more about this author, visit tamora-pierce.net.

Review: The Empress of Salt and Fortune (Vo)

A Review of The Empress of Salt and Fortune

“The Empress of Salt and Fortune belongs to all her subjects, and she was romantic and terrible and glamorous and sometimes all three at once. There are dozens of plays written about her, and some are good enough that they may last a little while even after she is gone. Older women wear their hair in braided crowns like she did, and because garnets were her favorite gem, they are everywhere in the capital.

“In-yo belonged to Anh, but Thriving Fortune only belonged to us.”

– Rabbit, telling her story to Cleric Chih and Almost Brilliant

If you read any book this month, let it be The Empress of Salt and Fortune. It won’t take long. This beautifully written, surprisingly short book is as tidy as cleric Chih’s records, and as wonderful and heartbreaking as the story of the Empress of Salt and Fortune herself.

The writing leans toward prose (lovely, fast-moving prose), the ending is a bit abrupt, and I felt one of the key emotional moments in The Empress of Salt and Fortune was a bit too underplayed. Yet reading over the ending and some of my highlights, I feel that same heartache the story left me with all over again. I’m happy to overlook my grumblings about those things, and I think many other readers will be, too, precisely because of that writing and the emotional punch it carries.

“…You could also find a beauty in it, a kind of peace even in something that was at first so very unsettling. I’d cried the first time I saw the luminescence of the lake. Now most nights, I slept on the porch, bathed in its red glow. If it was a monster of some kind, it was a monster that watched over me, and, at the very least, it had not devoured me yet.”
– Rabbit, on Lake Scarlet

The Empress of Salt and Fortune is a story full of uncommon elements. The opening chapter is packed with world-building, without pausing to explain it; protagonist Chih is in a hurry, after all. Instead of grand battle scenes in this tale of revolution, there a plot twists. The title character appears only once as a ghost, treated reverently by other ghosts on a road, and Chih, who is at first mistaken for a girl by part-time narrator Rabbit, is a cleric from the abbey at Singing Hills and not a girl. In the world of The Empress of Salt and Fortune, clerics, who are charged with traveling the world to record its history and events and locations, are they and them.

Throughout the book, chapters often begin with Chih and Almost Brilliant’s inventory of the house at Lake Scarlet, the sarcastically named Thriving Fortune. This is part of Chih and their neixin companion’s work. “The abbey at Singing Hills would say that if a record cannot be perfect,” Chih tells Rabbit, the now-elderly servant she meets there, “it should at least be present. Better for it to exist than for it to be perfect and only in your mind.” Pride drives Chih on this detour to the newly declassified Lake Scarlet; she desires to be the first cleric to record Thriving Fortune’s details. “Welcome to your place in history, grandmother,” Chih tells Rabbit as the now-elderly woman begins her story.

And that story matters a lot, because of its famous former resident.

In-yo, the Empress of Salt and Fortune, and Rabbit meet in the capital, where Rabbit is a palace servant and In-yo has become the new wife of the emperor. As a northerner, from a country known for mammoths and being bullied by Anh, In-yo is ill at ease in the south, where mages keep winter at bay and mammoths can’t survive. She isn’t well-received, either. The ladies and servants of the court fear her at first, “because the women of the north were all thought to be witches and sorceresses. Then [the noble ladies] discovered her great secret, that she was only a heartbroken and lonely girl, and she became of no account at all.”

Though In-yo is exiled to Thriving Fortune after producing an heir, clearly she plays a long game. The beginnings of the revolution trickle into the story with details not even Rabbit, devoted to the Empress as she is, could make sense of at the time. In-yo is a complex character, seen only through the eyes of others but depicted sympathetically and unflinchingly by Rabbit. In The Empress of Salt and Fortune, revolution is told through relationships rather than battles.

There is more to Rabbit herself, too. “For a single faraway moment, she looked like something other than a simple servant woman, but it was there and gone so fast that Chih could not say for sure what it was.” Naturally, Rabbit is more entwined with history than anyone knows. She suffers for her association with In-yo, and without it, too.

Rabbit’s life with In-yo is also easier and less formal than at court. There are fewer risks, too, for many of the years they reside there. But later experiences that could have left her bitter and angry never affect the choices she makes, though they leave her feeling worn and older than her years. She’s an understated, constant and lovable presence in the story.

“She had a foreigner’s beauty, like a language we do not know how to read…her face was as flat as a dish and almost perfectly round. Pearl-faced, they call it where she came from, but piggish is what they called it here.” And “as far as In-yo was concerned, she had no equals in all the empire.”
– Rabbit on In-yo, the Empress of Salt and Fortune

Rabbit sums it up best, in one of her recollections, with one of the most quotable lines in the book (and there are quite a few): “One drunken evening, many years on, In-yo would say that the war was won by silenced and nameless women, and it would be hard to argue with her.” Alone at Thriving Fortune, having outlived the Empress and so many others but still carrying their secrets, Rabbit could easily have been one of those women without Chih’s arrival. It’s this sad reality that brings a quiet joy to Rabbit’s story of loss, revolution and betrayal.

The world-building of The Empress of Salt and Fortune is lightly sketched but creative. Rather than spend a lot of time on the details, key aspects are revealed in matter-of-fact conversation, from the glowing Lake Scarlet’s origin as the resting place of a dying star, to a carp that became a calico dragon, and the ghostly imperial palanquin that Chih encounters on the road to Thriving Fortune. There are hidden dangers from creatures we never quite see, and ghosts are omnipresent. It made me want to continue journeying with Cleric Chih and Almost Brilliant—and Vo’s beautiful writing—just to see more of it.

To learn more about this author, visit nghivo.com.

Review: The Road to Farringale (English)

This week brings us another funny fantasy from an indie author. It’s time for…

A Review of The Road to Farringale, by Charlotte E. English

Author Charlotte E. English has a sense of humor—there’s no doubt about that. In this quirky and lovable tale of a secret, magical society trying to save magic in the U.K., trolls are the focal point.

Narrator Cordelia Vesper, aka Ves, is a fast-talking, cerulean-haired veteran of the Society for the Preservation and Protection of Magickal Heritage. As an agent of the Society, she is also a resident of the endearingly Hogwarts-like, sentient Yorkshire country manor known as House. With her new partner, Jay Patel, Ves is off on an unrelated errand when she discovers something is very wrong with a troll enclave.

The residents of South Moors Troll Enclave aren’t just “in Recluse,” as many communities are. The trolls living there have become apathetic in the extreme. Worse still, they’re about to eat a pair of endangered alikats, part of a class of creatures that more or less feed off of magical energy. It’s more than against the rules—it’s unthinkable.

The famous Cordelia Vesper

Narrator Ves is fast-talking, quirky and has a “vast knowledge of magickal history. Specialised knowledge of ancient spells, beasts and artefacts. No insignificant skill with charms” and “Great hair.”

As Jay and Ves visit more of the reclusive enclaves, a pattern emerges—including the complete disappearance of once-thriving communities of trolls.

The trolls of The Road to Farringale aren’t what you’re imagining (the Harry Potter similarities stop here). Though some trolls are more like those in fairy tales and “will eat anything,” most are educated, fastidious and elite gourmets, “Trolls whose delight in beauty, culture and the arts go virtually unrivaled across the world.”

One such troll is Baron Alban, the handsome and famously single representative of the troll court.

When Ves, a perfectly self-possessed (if directionally challenged) agent, meets him, she’s stunned. To Ves, Baron Alban is “the most gorgeous troll I have ever beheld, and I mean gorgeous in the sense of spectacularly handsome. All height and muscle and perfect posture was he, his bulky shoulders encased in a dark blue velvet coat over a silk shirt. He wore a kind of cravat, and an actual top hat lay on the table beside him.” Those kinds of trolls.

Despite his Jane Austen-era styling, Alban is a member of the modern troll court. The original was lost and is permanently sealed away, and is not a little reminiscent of Camelot. Alban, a noble-born George Clooney with a “pleasing jadeish hue,” has secret knowledge Ves needs in order to solve the mystery of the apparent illness destroying troll enclaves around Britain.

With her is the aforementioned Jay Patel, the overwhelmed newbie who, unlike Ves, can “find [his] way out of a bucket.” Recruited for his rare ability to travel point to point at dizzying (read: nauseating) speed, we know little about Jay other than that he is the frazzled foil to the self-assured Ves. He still manages to be lovable, in the way that only disheveled characters, who mirror the readers’ disbelief at every madcap turn in the story, can be.

That leads me to what’s missing from this charming story, which moves at the speed Ves talks. There are a host of amusing, interesting side-characters, who get almost equal backstory to the central characters.

I would’ve liked to learn more about Ves’s backstory, what drove her into the field besides her passion for saving magick and what her family and upbringing was like. I wanted to learn more about Jay, too and see him in the quiet moments when he isn’t slumped over beside an empty vat of hot chocolate—the Jay that exists outside of his job, and the Ves that existed before her all-consuming work. I hope future installments of the series cover this, because it’s a shame not to hear more about where these delightful characters come from.

Magical beasts aplenty

Griffons, Pegasus, trolls and a sentient country mansion round out The Road to Farringale’s enchanting and amusing take on a magical U.K.

It’s still a wonderful ride, dotted with enchanting magical creatures, a disembodied voice known only as Milady, who runs the Society, and little gems like this: “I don’t object to a little villainy, mind,” says Ves. “I only draw the line at a lot.”

In The Road to Farringale, even the magical creatures come in wacky packaging, when Ves produces enchanted syrinx pipes from…ahem…somewhere close to her heart. Questions Jay in his usual disbelief, “You just whistled a quartet of winged unicorns out of your bra?” (“Never underestimate the benefits of a good bra,” Ves quips in reply.)

If this sounds like your kind of book—or if you just need a pleasant, amusing diversion—by all means, pick up The Road to Farringale. Even if you aren’t totally satisfied with the time it devotes to its characters, you’re in for an enjoyable read.

To learn more about this author, visit charlotteeenglish.com.

May Updates

May 2021 Updates

Hi all!

This May, the snow is gone (for now!), the trees are flowering and my projects are slowly coming together.

At the end of last month, the first two chapters of The Fishermen’s Princess were released for subscribers to my mailing list. This month will bring a more usual single chapter. The story currently follows Drina as she grows up and steps into her role as princess. That includes an arranged marriage!

On a personal note, I am a real language hound. I studied Japanese in college and have tried to keep it up as much as possible. I just finished the first level of Duolingo’s Japanese course. It was a great refresher and filled in some content I was missing (including things I was familiar with while living in Japan but never knew quite how to say).

Fun fact: at Japanese fast-food restaurants, you must ask for ketchup when you order. I often forgot to do this, much to my chagrin (I love ketchup, it’s the perfect condiment). Whenever I forgot, I was always too embarrassed of my language skills to walk back up to the counter and ask!

Now, what will this month bring to the blog?

Playing Catch-Up

I still have reviews coming of The Road to Farringale, by Charlotte E. English, and the full review of The Empress of Salt and Fortune. And that lace-making article is still in the works!

Upcoming Reviews & more

Sometime in the next two months or so, I’ll be adding reviews for Intisar Khanani’s The Theft of SunlightTamora’s Pierce’s Tempests and Slaughter and a review of at least one of the books in The Daevabad Trilogy, by S.A. Chakraborty. And of course I have to talk about W.R. Gingell’s Between Jobs from her City Between series!

I also have another author interview in the works, which I hope to bring to you in this month or the beginning of June.

Promos

One of last month’s promos is continuing until May 10th. For the rest of the month, I’ll have two going, all through BookFunnel.

You should also be sure to watch for an upcoming 99c sale of Girl of Shadow and Glass!

Now for the promos from BookFunnel:

This new promo is for all the sci-fi and fantasy lovers out there. Find free samples and whole titles available for download.

More giveaways! Mashups are stories with a blend of two genres. In the case of Girl of Shadow and Glass, sci-fi elements are incorporated into the world building, which is more like solar system-building.

This one began April 10th and will finish up May 10th. Once again, all the listings are for free books and samples in the sci-fi and fantasy genres.

Comics on the way!

I’ve been sitting on new comics in the Growin’ Pup and Social Isolation series. I hope to get both out soon.

I also still have some partly finished episodes of Princess Disasterface to complete. With my second draft of Girl of Glass and Fury in need of finishing, I can’t give you any definites, other than that I am definitely behind on everything!

Thanks for reading! Till next time.

Cheers,

-CKB

Review: Thorn (Khanani)

I’m here with another fairy tale telling this week, this time by an author in both the indie and traditionally published world, thanks to this very story.

Thorn Review Graphic
“This is the life I’ve made for myself, and I want it in a way I haven’t wanted anything else I can remember. It is a wanting that is quiet, and steady, and deep as the beat of my heart.”
— Princess Alyrra in Thorn

The first time I read this book, it was an indie read from a purely indie author. Years later, Intisar Khanani’s retelling of the Goose Girl fairy tale is a traditionally published release that’s undergone some major changes.

Main character and narrator Alyrra is a princess, but not like you’d imagine. Downtrodden and the victim of years of abuse, she has been all but cast aside by her mother, the queen, and is the subject of vicious hate from her brother the heir. (The events that lead to this extreme situation are detailed in the Khanani’s recent release, Brambles.)

Outside of this, Alyrra lives a quiet life. She enjoys the wilderness around her home, has the respect of the servants and has occasional visits from the Wind. It all changes when she becomes the betrothed of Prince Kestrin, heir of the troubled royal family of Menaiya. And then it gets worse. When an old enemy from court, Valka—the lady once destined to marry Alyrra’s brother and become queen—returns to accompany Alyrra to her new kingdom, Valka uses the help of a vengeful sorceress to take Alyrra’s place—and her body.

A princess uncomfortable with power

“Still, should I run so far that I reach the sea, I should not have run far enough, for the thing I run from rides on my back and in my blood, and will not be shaken.”
– The magically disguised Princess Alyrra, after fighting back against goose boy Corbé in Thorn

Disgraced by Valka, Alyrra is relegated to the role of palace goose girl and, unable to stand being called Valka, becomes Thorn. There, she discovers a different life that has the quiet she always loved. For once, her fate is in her hands, and the weight of a kingdom’s expectations is off her shoulders. “This is the life I’ve made for myself,” Alyrra narrates, “and I want it in a way I haven’t wanted anything else I can remember. It is a wanting that is quiet, and steady, and deep as the beat of my heart.”

But Alyrra can’t quite escape her responsibilities, or what’s followed her from home: the cruelty of the women in her life and the violence of the men. Valka is using the court for her own means, and that of the sorceress; the goose boy Alyrra works with has bad intentions, and women and children in Menaiya are not safe on the streets.

It isn’t all dark. When Alyrra befriends a magical horse, Falada, she has her first true friend, and more are soon to follow. But Falada is never shy (yes, a horse pun) about reminding her that she owes it to Menaiya to stop Valka and take her true place.

In the middle of all of this is Kestrin, and interesting character and unusual prince. Alyrra is never quite sure what to think of this seemingly harsh, then thoughtful young man. As he begins to test her, Valka digs deeper for more cruelty, threatening Alyrra if she continues to meet with Kestrin.

Thorn makes for a grim fairy tale, full of the dark sides of humanity. But it’s also full of the joy of found family, and warms readers hearts when Alyrra finds safety and comfort. As she begins to come into her own, Alyrra becomes an advocate for empathy and humanity like no other.

It’s taken me a while to write this review of Thorn, though I read the new version months ago. I was disappointed with the early part of the book. It didn’t grab me the way that the original, indie version did. When I glanced back at the opening of indie Thorn, I realized what I was missing. Alyrra’s nervous energy kept the early chapters moving quickly and reflected her necessarily alert nature. Traditionally published Alyrra was downtrodden and had given up, and accordingly had a more lethargic pace to her narration. I felt like her personality had disappeared.

I was bothered by this, as you might imagine. I loved this story (I still love it, it just takes longer to be itself), and I felt like Alyrra’s personality was reduced to “resigned victim” at the beginning. In the later chapters, when Alyrra says, “In this moment I stand for all I am, and have been, and have known, every whisper of pain and memory and fear. I am all this, and I will stand strong and fight,” there is a bigger payoff, with more character growth and a larger character arc.

Beautiful books by Intisar

Khanani’s elegant writing shines in the new version of Thorn.

Still, I miss that frightened, engaged Alyrra, so alert and protecting herself at every moment like a rabbit in a forest full of wolves (which is actually a good description for her home). She had survivor’s instincts, and that same drive for self-preservation led her to step aside while Valka became princess, rather than just sit back. She was a downtrodden but active heroine who made an understandable, though unusual choice. Traditionally published Alyrra takes longer to find any rays of sunshine, let alone her power.

One benefit to the slower pace of the new Thorn is that it makes more room for Khanani’s wonderful prose to blossom. “I miss the crisp coldness of the forest winters I have known,” Alyrra muses in the narration. “I daydream of warm bread and mittens and the weight of snow on pine trees. The winter here is a different creature altogether, lying heavily over my shoulders and stealing into my bones.” All of my highlights from this book were of Khanani’s prose.

Thorn left me moved, joyful and heartbroken all at once. No matter how it’s changed, it’s a book worth savoring—plus there’s the added bonus of being introduced to Rae in The Bone Knife, a once stand-alone short story. I can’t wait to read The Theft of Sunlight, where the story follows Rae and just might cross paths with Alyrra.

Note: In addition to the Dauntless Path titles mentioned, the prequel to Alyrra’s story, Brambles, is also available.

April updates

April '21 Updates

The business side: I have three—count ’em, three—promos to share with you all this month! Including two that begin today (more on the third next week).

Book promo 1: Otherworldly Beings (books featuring non-humans and former humans).

Otherworldy Beings is a sales promo for books in the romance, fantasy/sci-fi romance and fantasy/sci-fi genres. It goes until April 30th, 2021.

Book promo 2: Under the Surface (stories where things aren’t as they seem).

These stories are all in the sci-fi and fantasy genres. It’s a newsletter builder, which means free content! (Again, until April 30, 2021). Newsletter-builders are one of the major reasons my TBR list is so long!

I’m still giving away a 9 chapter sample of my debut novel, Girl of Shadow and Glass, but soon I’ll have a new offering with…

The Witch of the Unexpected Journey

The Witch of the Unexpected Journey Cover draft
The possibly final version of the cover...We'll see!

My novelette, The Witch of the Unexepected Journey, is in the (hopefully) final stages of development. The story bounces between Kijo, the Witch of the Northern Light, as a fourteen-year-old girl and a mature witch, famous for her garden and cures, who is now deep into her eighties. On both occasion, catastrophe strikes, courtesy of one mysterious Lord General who’s out to get Heroab’s witches.

In the future, I’d love to continue Kijo’s story. I have some ideas already, but with a series to finish and another in the editing process, I don’t know when I’ll have the chance to draft another book. I’m overflowing with ideas, people!

Other news:

The first chapter of The Fishermen’s Princess is coming this month! I can’t wait for you all to read it…but (not so subtle hint coming) you’ve got to sign up for my newsletter to receive it! To read more about it, check out my post here, or the Books page.

What I’m reviewing this month

The Road to Farringale (Modern Magick #1), by Charlotte E. English (quirky fantasy)

Thorn (Dauntless Path #1), by Intisar Khanani (YA fantasy)

What I’ve just read

Between Jobs (The City Between #1), by W.R. Gingell (quirky but dark, paranormal fantasy). What took me so long to get started on this series? Gingell already had me with Spindle [my review here], but throw in two fae and a Korean vampire and apparently you’re speaking my language. What is it I love about monsters and mythological creatures, anyway?!

What I’m planning to read

The newly released The Theft of Sunlight (Dauntless Path #2), by Intisar Khanani (of course!)

What I’m blogging about

Lace! Will this be an ongoing series? Who knows! But after finishing Atelier on Netflix, I am in lace withdrawal. I’ll be including pictures of my own work!

Also, an article about culture clash (my favorite kind of story) films is on the horizon…though maybe not for this month.

What I’m quoting

“A rose who wore her barbs proudly, as a warning. My beauty is not yours for the taking. Touch me and you will bleed.” —a determined Aster, describing herself as she’s about to face the beast in An Enchantment of Thorns, by Helena Rookwood and Elm Vince

“I wait, not daring to speak, for some things require quiet to come into being.” – Alyrra in Thorn, by Intisar Khanani

What I’m planning

A summer of Princess Disasterface. I hope to be back on the comic trail as my health issues (hopefully) ease up in the warmer months. If I could build up a backlog and keep releasing them for longer, that would be amazing. Keep your fingers crossed for me.

What I’m feeling

The joy of a brand new bookcase! With doors! Someplace to put my treasure trove of books, model horses and miniature izakaya (Japanese drinking establishment with small plates of food), when it’s finished. I do have to assemble the bookcase itself, too.

Also, that feeling of panic when you realize you’re laptop battery is running out but you haven’t saved your work yet. Sheesh! Get it together, lady.

Cheers and stay well,

-CKB

Indie Book Spotlight: Twelve Days of Faery (Gingell)

Another Indie Book Spotlight is upon us!

Twelve Days of Faery Book Review Graphic

Who knew a king being overwhelmed with paperwork would be so endearing?

On the surface, Twelve Days of Faery is the story of a beleaguered king caught up in the dangerous realm of Faery when a peculiar enchantress arrives, claiming she can break the curse on King Markon’s son. Thanks to this said and so-called curse, a woman cannot even wink at the young prince without something terrible befalling her. And the one whose hair vanished got off easy; the outcomes are only getting worse.

This means Markon has two problems: Althea’s contract says she’ll eventually be made queen if she can stop the attacks, and Markon is steadily falling in love with her even as she grows closer to his son.

Twelve Days of Faery can be violent (but not excessively, in my opinion), and there’s no shortage of wicked, scheming characters. But thanks to off-beat enchantress Althea and procrastinating-on-royal-paperwork Markon, it’s a complete delight. A quirky one, too!

Quotable Quirk

“There’s a world of meaning in the almost-saids of the worlds.” – W.R. Gingell, Twelve Days of Faery

The wonderful characters are what makes the book, and the procedural-style structure also kept me binge-reading. Each day in the story is a day in Althea’s investigation. It doesn’t hurt that Markon is actually likeable, either. It’s hard not to root for him, and he’s just plain refreshing after the scheming royals in, well, almost everything.

As for Althea, she’s a bit like the character Luck in another book by Gingell, Spindle [find my review here], but is more self-possessed, less dotty and more aloof. While Luck (who has the same magical talents as Althea) practically makes a catchphrase out of the word “huh,” Althea’s catchphrase should be “I found something.” She’s Sherlock to Markon’s overwhelmed Watson.

Althea is also a faery-changeling who grew up and was able to escape the faery world. That is one interesting backstory.

The romance in Twelve Days of Faery is approached from a refreshingly mature angle, too. Markon is older, dignified and sensible. He approaches his growing feelings for Althea just how a person with those traits would, even though he’s sure things aren’t about to go his way.

Though the world of Faery settings (Seelie and Unseelie) were creative, the descriptions were a bit loosely sketched at times. Still, it was fun, zany and scary all at once as Markon marched into unfamiliar territory, following the magical clues toward the culprit.

This short book is well-thought out, creative and 100% enjoyable. I plan to pick up the sequel as soon as my lengthy TBR list allows, because it’s the perfect pick-me-up (wordplay alert! Don’t worry, the humor in Twelve Days of Faery is a lot more sophisticated than that—and not a small amount quirky). Funny, refreshing and great characters (plus a sizeable dash of mystery) will always equal five stars for me. If you like those things, faery, and portals into another world, you’ll love this book, too.

To learn more about titles from this author, visit W.R. Gingell’s website.

Review: Children of Blood and Bone (Adeyemi)

Catching up on some reviews today as I finally add Children of Virtue and Vengeance to my very long TBR list. Which can only mean today’s review is of…!

This is a new YA classic, with an inventive fantasy world and a real-world social message.

Children of Blood and Bone is rooted in the culture and religion of the Yoruba people, and it’s beautiful. Adeyemi drops the readers into a compelling fantasy world we’ve all been waiting for, even if we didn’t know it yet. Giant animals to ride on, a stunning pantheon of gods and goddesses, coming-of-age, bigotry (external and internalized), duty, injustice, selflessness and young love are woven into this magical story.

The world of Children of Blood and Bone is cruel to some. Even a girl as strong-willed as Zélie is driven out of her village by bloodshed and tragedy; at the same time, Amari, a princess with about zero self-confidence, makes her way out of the palace, while her heir-to-the-throne brother Inan joins the ranks of the very people responsible for what happens to Zélie’s village (one could say he’s a zealot, or naïve, or both). A collision course is in order.

Zélie is beset by grief and hopelessness at times, which adds to the depth of her story and her own drive. As a Diviner, she is connected to the goddess of death, and holds on just when her faith is about to desert her. She beats impossible odds, but not without strife and cost to herself.

Legend of Zélie: Zélie’s story is the most moving and most riveting of the perspectives. This determined heroine goes from grief and hopelessness to hope, love and sacrifice during her journey. 

My only complaint was that I wanted to stay with Zélie and her companions rather than see what other characters were doing (which is really a testament to how much more exciting Zélie’s story is). It also means I kept reading to get back to her. There were scenes in which Zélie’s awe transmitted perfectly, like when she sees an image of the goddess of death, which gave me actual goosebumps. Adeyemi has a real talent for transferring her characters emotions from page to reader.

In short, I shed tears. I stayed up way too late reading. There was a touch of romance and a big helping of heartbreak. This was a true “experience” novel, and it was gorgeous. It’s also a prime example of the right way to *ahem* kill off a character.

The feeling I had reading this book has stayed with me long after the details began to blur (and admittedly they have blurred a bit). But for me, the best books will always be the ones that make you remember the feeling of reading them, if not all the names and details. Fans of Garth Nix’s Abhorsen/The Old Kingdom series and Silvia Moreno-Garcia’s Gods of Jade and Shadow are likely to enjoy it as much as I did.

So while this book was probably checked off your own TBR list long ago, I won’t risk somebody out there missing it. Read Children of Blood and Bone if you still haven’t! You won’t be sorry.

Note: Book 2 in the Legacy of Orïsha series, Children of Virtue and Vengeance, was released in 2019; as of posting, there was no release date or title listed on Goodreads for #3.

Indie Book Spotlight: Tapestry of Night (Vince)

In a world where only one late-bloomer can save her people from a terrible fate, the time has come…for another Indie Book Spotlight!

Tapestry of Night Review Graphic

The opening chapter of Elm Vince’s Tapestry of Night shows us that fate can be written in the stars—if those stars are charted properly. Thanks to the Stellar Sisters of Celestial Devotion, Cassia is an expert of making natal star charts, and she has an “uncanny intuition” to go with it.

Eventually, Cassia entrusts the reader with the exciting secret that she has the most unusual—and difficult to understand—prophesied fate of anyone. For a magically late-bloomer with no shortage of problems, there seem to be a lot of important roles heading Cassia’s way. Too many, in fact, to be solved in one book.

Which is why I need the next book.

This is Elm Vince’s debut solo series (Vince co-authored the Desert Nights series with Helena Rookwood). Teasers aside, Tapestry of Night really hit all the right notes for me. The tone isn’t overly dark and depressing, the truly bad guys are creepy, the love interests are unlikely and there’s a truly loveable alchemist to boot. The spy plotline is put to very good use. It reminds me of Brandon Sanderson’s The Final Empire (Mistborn series). Fans of Garth Nix’s Abhorsen series will probably love it, too.

There are a lot of details in the opening chapters about monstrous snatchers, mysterious nuns in astrology-themed convents, and a few types of magic. The backstory and said details are never piled on, but carefully set the stage for a riveting story in which the stars are nearly omnipresent. Tapestry of Night is literally and figuratively dark from the beginning, with warm characters and fanciful magic to light the way.

As the nature of the Governance is gradually explained to the reader, things get a whole lot darker. It’s illegal to be a mage in Myrsia, and those with a talent are taken by snatchers to become Governance slaves. They’re also fitted with alloy collars to restrict their magic. In the Governance’s eyes, magic is too dangerous, and the alloy makes it safe (but cruelly useable).

Unlikely spy: struggling to control new magic, Cassia must sneak away to “a quiet shadow in a city of light” in order to study with endearing alchemist Ptolemus.

And then there’s the Defiance. Hidden away in the Rust Desert, the Defiance is the last vestiges of the now-eradicated Guild’s magic-users, but signs of former glory exist in the capital, too. The glasshouses Cassia uses as a rendezvous point was once “created and tended to by the Guild’s earth-signers, housing exotic greenery from across Myrsia and beyond. Now they sit abandoned, the plants slowly trying to reclaim the building.” There’s a lot of horror and decay behind the capital’s pretty veneer.

Myrsia’s Governance is reliably crooked and pitiless (without any flat villains, just some blind ambition). But the Defiance may not be all they’re cracked up to be, either: after all, they kicked Cassia out as a girl, right after her father died on a mission, because she had no magic.

All that changes as Cassia wanders into adulthood. She has an empath’s gifts, but they refuse to work in the usual way. She can feel what others feel, not just sense it. And it’s pretty out of control besides.

Depending on whether she can learn to control her gift, Cassia just might be the Defiance’s perfect spy. But she has zero time to master it. With the life of a friend on the line, Cassia is about to head off to the capital with a fake identity, where she witnesses constant reminders of how important—and dangerous—her task is.

Eventually, as a side note, we hear there are fey out there somewhere, closed off in their own country across the sea. And for an unknown reason, the leader of the Governance is out there visiting them. This series has a whole lot of space to grow, with some interesting plot points set up for the next book.

The settings of Tapestry of Night are just as interesting, from a red desert to the peculiar convents to the inner bureaucratic chambers of the Governance. The Governance is sort of like evil Hogwarts at times, complete with its own wizarding ball.

On a copy editing note, the excess of commas can be looked past after a bit, so don’t let that stop you. This is a great take on magical “job classes” and a good late-bloomer story, too. Not to mention the spy-craft! I’ll be continuing with the series for sure.