New comics and reviews on the way!

Hola!

I just served up a brand new episode of Princess Disasterface, titled Bunny Slippers and Truth. (Not to be confused with the bunny slippers OF truth. Sounds like my kind of superhero accouterments.) I’ve been a bit stuck on what will happen next lately…and the answer turned out to be a plot twist! Episode 2.6 also turned out longer than most (funny how that works). I hope you all enjoy it.

Growin' Pup #5, made with Comic Draw

In other news, I’m learning to use a new comic-specific app, Comic Draw (not affiliated). It’s not as intuitive as Tayasui Sketches (still not affiliated)…except when it comes to coloring in my drawings. So I’m using Comic Draw to make a special in-color edition of Princess Disasterface, but it is taking time. I currently have no timetable for release, and my current thinking is to make it available to mailing list subscribers. It’s a lot more work this way, and there will be some exclusives in the special edition (like actually seeing the king! And not just his bunny slippers) to sweeten the deal.

You can see the polished look Comic Draw offers in my latest edition of Growin’ Pup (pictured), and in a forthcoming Social Isolation. (That’s right…I’m still working on that one, in life and in comics.)

In book review news, I just got an advanced copy of Sarah K. L. Wilson’s Sting Magic. It’s available for just a few more days for those on her mailing list. If I like it, it’ll be this month’s Indie Book Spotlight. I have her Bridge of Legends compilation on my Kindle, just waiting to be read, but for now that will wait.

And now for some book recommendations!

I’ve been fortunate to read three exceptionally well-written books in a row. The first was Anna Velfman’s Snowblind, then The Year of the Witching by Alexis Henderson. And right after that, a book I’ve had my eye on since it was in hardcover came up on my library waiting list: Gods of Jade and Shadow, by Silvia Moreno-Garcia. I loved all three, but the last two made me wish there was a bit more to the post-climax wrap up. I won’t hesitate to pick up subsequent books by any of these three authors, though (Moreno-Garcia’s Mexican Gothic is already on my Holds list).

Stay tuned for many more reviews! And in the meantime, please stay well and take excellent care of yourselves.

-CKB

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Indie Book Spotlight: Snowblind (Velfman)

At long last! A fantasy about a character with chronic illness, whose affliction isn’t treated like something to be overcome and isn’t there to inspire anyone.

Lanna is a Southerner, born in a cold, harsh land full of rules. She also suffers from seizures. In a place where survival is anything but a guarantee, she’ll never be considered a full adult. It’s one of many reasons we first meet Lanna and her equally tough-as-nails family on the road to the more plentiful Empire.

Look at an Amazon preview (I’m not affiliated), and you’ll instantly know that Snowblind is exquisitely written. The details and descriptions are never rushed but don’t hinder the story flow, either. Those careful descriptions create an immersive world I felt I could walk around in.

In fact, Velfman does twice the world-building by creating two very different settings. The outer village Lanna first resides in, falls in love in (also perfectly rendered; she makes him work for it), and the Imperial capital (the hall that houses the concubines is its own world, with its own flower language) are like characters themselves. And all the characters in Snowblind are well-developed.

Lanna is a sort of goldilocks female MC. She has a heart, and it is available to her suitor, if he can earn it. But she also can give an ox a run for its money with her work ethic and strength. She is practical, savvy, and never silly, even in the thrall of a romantic storyline with Pride and Prejudice qualities (though, thanks to Lanna’s culture, it’s not as restrictive or chaste).

Unfortunately, Snowblind did need more copy-editing. There are more typos than in W.R. Gingell’s Spindle (also loved and reviewed here), but it does surpass those issues and continue to be an amazing, well-written story. There is also a chapter or two that made me squeamish, in which a slave sings the praises of the Empire’s supposedly benevolent form of slavery to Lanna, who is horrified. I would have preferred it be called something else, since it isn’t slavery at all. She is told slaves can leave whenever they like.

All that is a part of a this is the Empire and what you learned in the South is totally backwards theme, but it was too close to real-life revisionist history for me. It’s thankfully brief. Lanna also curses a gay character who drugs her by calling him a pervert and corrupter of men, though before and (eventually) after this they are friends. These are very small episodes in the book, but as I am recommending Snowblind I wanted to share this for full disclosure.

Another remarkable thing about this book is how well the tension and intrigue was layered (the complex characters play no small part in this). Lanna is ripped from everything and everyone she knows and loves, and has no choice in the matter. We always know what’s in her heart. The people who surround her are sometimes kind, sometimes not, and there are always hints at a deeper agenda.

A lovely, Pride and Prejudice-esque romance, Machiavellian characters, great world-building, court intrigue and a fine representation of the chronically ill: a lot of good things are packed into this debut fantasy.

An antagonist in the capital is the only character with overt goals, and she tries to thwart, disgrace and generally ruin Lanna without qualm. But the others aren’t so easily pinned. In Snowblind, the real “villains” are more ambiguous, and a heck of a lot better at concealing it. These are no mustache-twirling bad guys tying maidens to a railroad track. They might manipulate the maiden, though, or toss her aside if she gets in the way of their true aim. They’re a lot more Machiavelli than, say, Voldemort.

Amidst all this is the repeated interruption of Lanna’s seizures, the thing that has always kept her from the life she wants. The powerlessness of chronic illness is captured so well and so sensitively that I could’ve cried. “All her life there had been a wall,” the book says of Lanna. “Her sickness had been a barrier to so much. Angry at her own mind for being defective she clutched her head, and something in her snapped…Then the tears came: hot, regretful and bitter.”

As people who (possibly) mean well make her illness worse, as it changes and complicates her life and keeps her from her simplest, most essential needs (love, family, productivity and the ability to choose where she will go), this book spoke to me. This is the kind of representation I’ve been waiting for. I hoped it would be what it looked like in Snowblind’s description, and I wasn’t disappointed.

Flaws and all, this is a wonderfully written book, and I very much look forward to snatching up the rest of Lanna’s story.

Want to know when the next review will be out?

Indie Book Spotlight: Daughter of Shades (Mercedes)

It’s time for another…

No book can be Sabriel. But fans of Garth Nix’s Abhorsen series may want to pick this one up.

Main character Ayleth is a fighter. She’s possessed by a shade, a wolf-like spirit named Laranta—and that happened on purpose. As a member of the Order of St. Evander, she shares her body with a magically, musically suppressed shade so she can battle other shades from the Haunts. But giving her shade a name, and even identifying Laranta as female, is forbidden by the Order. In fact, young Ayleth’s bordering on heresy.

Ayleth, like her shade, is still a bit feral. She works on instinct, even after years of training under her mistress in a woodsy outpost. But she’s incomplete in other ways, too: Ayleth has no memory of her life before she was joined by Laranta. She knocks on the door of those memories from time to time, but no dice.

What she really wants is a post of her own. She wants to get out of her tiny, safe-ish world. It’s a classic story with an intriguing twist, thanks to its fantastic world building.

Better than just romance: Ayleth finds rivalry and curse-breaking smooches along her speculative journey.

Daughter of Shades really gets moving around chapters six and seven. Ayleth’s story benefits from new, long-term characters, who bring out qualities other than those in her defiant-teen dynamic with her mistress. Her newly independent status also comes with a touch of romance—thankfully, not too much, thought it threatens to be at first. Poor Ayleth never sees men outside her work, and she’s more than a bit overly impressed. That portrayal is awkward, because she’s no starry-eyed damsel. I don’t think most readers would want her to be.

Fortunately, her story veers in a far better direction: a rivalry blossoms where a soapy romance might, and gives the story further layers.

There’s a fun nod to the Sleeping Beauty folktale in a type of curse, a unique magic system of different types of shades, magics and poisons, and pleasantly chilling settings. From a cursed forest to the unwatchable glimpses of the haunts, it has enough of a touch of horror to make a really good campfire tale, but still left me still able to sleep at night. (Yes, I’m that big of a scaredy cat.)

My one issue, which probably kept me from getting into the book sooner, is the way Daughter of Shades begins with the possessed body of a dog. It’s not for the squeamish or the animal lovers, but after the first few chapters that plotline is over. I did find it hard to read before that, and while the world interested me, I think the opener (which included a little bait and switch from Ayleth) held it back. The hardened venatrix she first appears as is an interesting gal, and it takes a while for the real Ayleth to catch up.

Ultimately, Daughter of Shades leaves readers with a lot to wonder about (not in a bad way), and the growing action in the last quarter or so of the book keeps the pages turning. Both things, combined with the unusual world-building, made it an easy call for me to keep reading The Venatrix Chronicles.

(And to be honest, I’ll be waiting to see how that romance comes along, too…but don’t spread that around.)

Sure, you can find better writing out there, but that’s no guarantee it can build interest and suspense like this book. Ayleth’s spirited adventures are worth tagging along for—and sometimes, a person just needs a good (slightly!) scary story, with or without the campfire.

An irregular July

Hey all!

Happy Independence Day to everyone who celebrated, and Happy Canada Day to everyone who celebrated that, too!

This is shaping up to be an irregular July, not just because of the pandemic. I’ll have to transfer to a new web hosting plan soon. Who knows what updating the site will be like then? Blah!

The important thing is, Princess Disasterface Episode 2.5 is here. It’s been a long time coming, and soon I hope to get into the backstories of the Duchess and the Queen…including why she’s so afraid of a certain important guest. If you noticed the lack of navigational buttons on the new episode, that was on purpose. I’m streamlining!

I’ve recently posted reviews of Alanna: the First Adventure, by the great Tamora Pierce, and Spindle, by wonderful indie author W.R. Gingell. You can find them by clicking the links.

I’m currently bouncing between rewrites and editing on an old and dearly loved project in the fantasy genre and the sequel to A Shadow in Sundown…and putting out the spiffed up second edition of book one. I’ll try to blog a sneak peak of the new cover soon. It plays up the world-hopping side of A Shadow in Sundown. I think it matches Kith’s adventures a lot better, too!

In reading news, I just got my copy of A Song Below Water, by Bethany C. Morrow, from the library, and I can’t wait to jump in! The sample I read hooked me and I’ve been on the wait list for a few weeks. Mermaids, people! I love a book with a twist on mythology (this one’s contemporary).

As for the book reviewing side of me, next up will be reviews of the delightfully creepy Daughter of Shades, by Sylvia Mercedes, and (to be written) Intisar Khanani’s re-release of Thorn

Stay safe and be well!

CKB

Indie Book Spotlight: Spindle (Gingell)

Today we slap a well-deserved gold star on…

Spindle Review Graphic

Spindle, by W.R. Gingell (Two Monarchies Sequence Book One, 2015, New Adult Fantasy/Fairy Tales/Romantic Fantasy).


Do you like fairy tale re-tellings, in which the original story is folded, spindled (ha!) and mashed into the unrecognizable and unique origami shapes of a drowsy heroine pretending to be the legendary sleeping princess people think she is, a little boy pretending rather convincingly to be a dog, an absent-minded wizard not even pretending to be listening (whose catchphrase might as well be “Huh. That’s interesting”), a malignant magical cube on a battlefield, a village in the shape of a spiral that’s bent by a jinx and an obvious but slippery villain?

Phew. That was one quirky mouthful. Today’s indie book spotlight lands on W.R. Gingell’s delightful Spindle, a fun and absorbing retelling of Sleeping Beauty that resembles the original almost not at all, in the very best way.

The magic system of Spindle is thread-based and interesting (and also literally hairy), with three different types of magic, each rarer than the last. The reader is dropped into it with no explanation. That leaves us catching up with what cursed heroine Poly (the non-princess sleeper) is discovering she can do as she discovers it, and as mystified as she is about what her rescuer, Luck, does with his magic. And he isn’t one to explain. It gives the world an authentic feeling, and keeps the pages turning, too.

Warm, silly, creative and clever: Not every book can surpass its typos like Spindle can. This wacky and wonderful book deserves all the stars I can chuck at it.

It isn’t a perfect book, but don’t let that stop you. The grammarian in me warns you that there are more typos in this book than the other high-quality indie books I’ve reviewed. Hyphens are almost nowhere to be found in the entire text, and the writing at the beginning left me as fuzzy as newly-awakened Poly. But its almost lyrical quality and the twisted presentation of an old tale cued me that this was worth reading. By the end I was beaming, and also leaving five star reviews without hesitation.

This isn’t a book that leans on its fun settings and quirky characters alone, either: it’s as imaginative as a fantasy reader could ever want. I continue to be amazed by the way little aspects of the plot and world-building came together at the end. It was clearly well-thought out and cleverly executed. And it’s enjoyable. You’ll find serious stakes and fierce fights here (and a bit of violence), but no endless doom and gloom.

Poly is also a heroine who gets kissed awake, then slugs her disinterested smoocher. She continually demands her personal space, which helps the romance feel earned. And she’s not a one-man gal, either; she has a couple forays into youthful romances, and who she ends up with is never truly a given (although a pair of time travelers threaten to spoil the suspense).

Spindle has more depth than just a romance plot, too. More than one kind of love is integral to the plot, and Poly’s development: there are parts about female friendship and kinship where there could have been a solid rivalry, a melancholic side-plot about the man who could’ve woken her, and a growing bond with the boy-turned dog that is crucial to Poly reclaiming a life after so many years of sleep. All of this advances the plot—and presumably sets it up for the next book in the series.

Well-rounded, often funny, carefully developed, with unique magic systems and a dive in-able magical world, Spindle is a fabulous book. Get past the opaque earliest chapters and typos, and you may adore it just as much as I do.

Supporting diversity in fantasy

Supporting Diversity in Fantasy

I’m back.

I wanted to reaffirm my commitment to reading authors of diverse backgrounds, and stories featuring diversity and non-white leads (something particularly important in fantasy). I’m going to do this by making a more concentrated effort to read said books, and by making sure I review the ones I’ve already read.

We’ve all seen how fantastic books like the three in N.K. Jemisin’s The Broken Earth series have changed fantasy. We need more. We need international authors in translation, diverse authors, diverse characters, and a broader and more authentic inclusion of other cultures in our world-building.

Just think about the way Russian mythology in Katherine Arden’s The Bear and the Nightingale felt like a breath of fresh air, and you’ll realize just how narrow fantasy is. Let’s not do that anymore. Give us all the places. Show us the cultures and well-rounded characters. Support books that do that by buying or borrowing them and leaving reviews along with me.

Note: I’ve updated this post to include a few author recommendations of my own (and one new author I’m excited about!), in no particular order, below.


Authors You’ll Love

Alexis Hendersen

The Year of the Witching is all the mystery, horror and serious trouble with witches you could ask for.  Don’t expect it to wrap up too neatly: a sequel is on the way to this beautifully (and creepily) descriptive book.

Bethany C. Morrow

A Song Below Water (YA Fantasy) is as compelling as…you know (my review here). A wonderful story of found-family sisterhood, identity, protest and myth set in a version of our world with modern mythological beings. The Renaissance fair mermaids might not be real, but the sirens and elokos are. A second book in the series, A Chorus Rises, is due out this year.

Intisar Khanani

Khanani is an indie author who is now a traditionally published one, too. She writes strong, diverse heroines, like Hitomi in the Sunbolt Chronicles (read my review of Book One here.) She is also the author who changed my mind about self-publishing.

N.K. JemisIn

The queen of science fantasy, if not all of fantasy. Jemisin won three consecutive Hugo Awards for The Broken Earth Trilogy, a series that knocked my socks off and only got better. With literary-caliber writing and an original world, Jemisin broke the mold in fantasy and made a new one. And there are more highly acclaimed books and series by Jemisin, too.

Silvia Moerno-Garcia

If you don’t know her yet, you will. Mexican Gothic will soon be a series (I can’t say this enough: don’t let anyone spoil the plot twist for you). But it’s Gods of Jade and Shadow that won, and broke, my heart. A classic fantasy odyssey set in Mexico and using Mayan and other regional mythology, it’s a truly unforgettable book.

Stephanie BwaBwa

Seraphim Falling (YA Epic Fantasy) is on my TBR list! With her first book released in 2020, BwaBwa is a more recent discovery of mine, and with a series that reminds me of Sharon Shinn’s Samaria series, I can’t wait to check it out!


Read More:

Kobo: 10 must-read diverse sci-fi and fantasy novels

Book Riot: 9 Diverse Fantasy Books that will Challenge your Idea of Fantasy Fiction

BookBub: 13 Acclaimed Sci-Fi and Fantasy Novels by Black Authors

Cheers and be well,

-C.K.

The C.K. Beggan Bookish Blog

The C.K. Beggan Bookish Blog

Welcome to The C.K. Beggan Bookish Blog! If you’re looking for your next read, titles are listed alphabetically and divided by indie and traditional publishing. (If you look closely enough, you may even find some non-fantasy books.) And while you’re here, don’t forget to check out the author interviews and special features, which include book lists by theme!

Independently Published Books: C.K. Beggan‘s Indie Book Spotlight

Fiction

Reviews of the best (and my favorite) fantasy and speculative fiction novels I’ve come across so far, all by indie authors.

Atheist’s Angel (Anna Velfman)

Avalanche (Anna Velfman)

Between Jobs (W.R. Gingell)

The Borderlands Princess (Ophelia Wells Langley)

Bride of the Shadow King (Sylvia Mercedes)

The Cracked Slipper (Stephanie Alexander)

The Crown Plonked Queen (Andrew Einspruch)

The Cursebound Thief (Megan O’Russell) 

Cursed (Callie Pey)

A Darkness at the Door (Intisar Khanani)

The Daughter of Earth (Callie Pey)

Daughter of Shades (Silvia Mercedes)

Droplets of Magic (Emily Bybee)

The Eastie Threat (Andrew Einspruch)

An Enchantment of Thorns (Helena Rookwood & Elm Vince)

Enchanting Fate (Ashley Evercott)

The Fool and the Sparrow (Dana Fox)

The Fox and the Briar (Chesney Infalt)

Frozen Hearts and Death Magic (Day Leitao)

Guardian of Talons and Snares (Anastasis Blythe)

Heart of Cinders (J. Darlene Everly)

Her Dreadful Will (Rebecca F. Kenney)

Icedancer (Anna Velfman)

The Lily Gate (Hanna Sandvig) – coming soon

Maiden of Candlelight and Lotuses (Anastasis Blythe)

Married by Fate (Jenny Hickman)

Married by War (Sarah K.L. Wilson)

Married by Wind (Angela J. Ford)

Music of the Night (Angela J. Ford)

Of Heists and Hexes (S.L. Prater)

Of Roses and Rituals (S.L. Prater)

Of Silver and Secrets (Sylvia Mercedes)

Of Smoke and Shadow (Ophelia Wells Langley)

Phoenix Heart, Season One, Episode One: Ashes (Sarah K.L. Wilson)

The Prince and the Poisoner (Helena Rookwood)

A Promise of Thorns (Helena Rookwood & Elm Vince)

The Purple Haze (Andrew Einspruch)

Rise of the Fire Queen (Alisha Klapheke)

The Road to Farringale (Charlotte E. English)

Stolen by the Shadow King (Alisha Klapheke)

Sunbolt (Intisar Khanani)

Spindle (W.R. Gingell)

Sting Magic (Sarah K.L. Wilson)

Snowblind (Anna Velfman)

Tapestry of Night (Elm Vince)

The Thief and the Throne (Helena Rookwood)

A Trial of Thorns (Helena Rookwood & Elm Vince)

Throne of Sand (Helena Rookwood & Elm Vince)

To Carve a Fae Heart (Tessonja Odette)

Twelve Days of Faery (W.R. Gingell)

Warrior of Blade and Dusk (Anastasis Blythe)

Wish Marked (Lissa Bolts) 

Wizardom Legends: Thief for Hire (Jeffrey L. Kohanek) – coming soon

Nonfiction

Traditionally Published Books: Reviews of All My Favs

My favorite books in the fantasy, noir, literary and speculative fiction genres that have been released by traditional publishers.

Author Interviews: One Author to Another

A new category! In which I do my best to pose thoughtful questions to some of my favorite indie authors.

 

Anastasis Blythe, live October 1, 2022 – 11 Questions with Anastasis Blythe, author of Guardians of Talons and Snares

Chesney Infalt, June 3, 2022 – 10 Questions with Chesney Infalt, author of The Fox and the Briar

Anna Velfman, April 15, 2022 – 10 Questions with author Anna Velfman, author of Snowblind

Andrew Einspruch, May 25, 2021 – Questions with the hilarious, award-winning author of The Light Bearer

Helena Rookwood and Elm Vince, April 10, 2021 – Questions with the co-authors of An Enchantment of Thorns

Nicki Chapelway, November 13, 2024 – 8 Questions with the no spice romantic fantasy author of This Hollow Heart

Special Features: Authors, Books and Writing

From Ask an Indie Author to trivia to Book Lists, find blog posts featuring by topic, writing tips and Indie Author Spotlights.

Announcement: Of Storms and Stardust Charity Anthology – November 2024

Press Release: The Prince or the Bard? – October 2024

Indie Author Spotlight: Tessonja Odette – August 2022

Of Thieves and Shadows cover reveal! (BOMM tour) – live 8/23/22

Rise of the Fire Queen is here! (Book News) (8/7/22)

Ask an Indie Author with Ashley Evercott – How I make my book covers shine on social media? (7/15/22)

Indie Author Spotlight: Anthea Sharp – June 2022

Six of Crows month content (June 2022)

8 Fantasy Books with Delicious Cliffhanger Endings (Including Six of Crows)

9 Fantastic quotes from the Six of Crows duology

10 Books to read after Six of Crows

Kaz Brekker and my Fjerdan heist level character hangover

Trivia: Do You Know Kaz Brekker?

Trivia: How well do you know Six of Crows?

Trivia: How well do you know the Six of Crows duology characters?

From Storm and Shadow cover reveal! (BOMM tour) – 5/30/22

16+ Awesome Asian-Inspired Fantasy Worlds – 5/27/22 – A book list with settings from the Middle East to the Pacific Islands

Weaver cover reveal! (BOMM tour) – 5/10/22

Vow of the Shadow King cover reveal (BOMM tour) – 5/4/22

A Throne of Shadows Cover reveal! (BOMM tour) – 4/28/22

A Darkness at the Door cover reveal – 4/22/22 – in which I discuss the Dauntless Path series and reveal the fabulous cover

Retellings to Thrill Any Fantasy Reader – A complete list of fairy tale and classic book retellings I’ve reviewed on the blog

Supporting Diversity in Fantasy – A mission statement for the blog, plus links to authors who feature diverse characters in their work

Lessons from Bestsellers Part I (Using Contrast to Create Depth) – Learning from Hannah and Leo in The German Girlby Armando Lucas Correa

Lessons from Bestsellers Part II (Using Contrast to Create Depth) – A look at the many sides of Ali in S.A. Chakraborty’s City of Brass

Lessons from Bestsellers Part III (Using Contrast to Create Depth) – A mystery and a terrible truth rounds out Bethany C. Morrow’s A Song Below Water

5 Awkward Situations to Make Your MC Shine – Examples of awkwardness that endear main characters to readers in some of my favorite books

YA books that changed the game (#3 of 9)

I read this one 20+ years ago, and it’s stayed near and dear to my heart all this time. Which means I had to re-read it before posting this. I’m talking about the one, the only…

Alanna: the First Adventure (Pierce) Review

Alanna: The First Adventure, by Tamora Pierce (The Song of the Lioness, 1983, YA Fantasy/Adventure)

This one seems short compared to today’s YA fantasies, with a classic plot line and a wonderfully designed world (Pierce uses the same world for other series, including The Numair Chronicles and The Immortals—and often the same characters). The young, small hero(ine) overcomes her weaknesses through hard work, is brave and doesn’t back down as she strives to become a knight. She just has to pretend to be a boy to do it.

Alanna is a rough-and-tumble, capable and sometimes temperamental girl, and to her, it is completely not fair that she isn’t a boy. That honor goes to her twin brother Thom, her complete opposite: young Alanna is afraid of the magic she holds, while Thom loves it; Alanna is kind and considerate (one would say honorable and chivalrous), Thom not so much, though both twins have a mischievous streak; and Alanna loves hunting, sword play, riding horses, archery—you get the idea—while Thom sees little point to wielding things with points.

A switch is in order, with Alanna becoming Alan and going off to service at the palace, while Thom, destined for the same, goes to the City of the Gods to learn all that magic stuff Alanna hates. She doesn’t have to become a lady, and he doesn’t have to become a warrior.

But Alanna doesn’t get to leave magic entirely behind. She has a true gift for healing, and a warning from the gods says that she must heal to make up for the lives she’ll take as a warrior (you don’t hear anyone telling the real boys that; no wonder she doesn’t listen at first). For all her magic, even she can’t change her nature. Being a girl threatens to deny her everything she’s ever wanted; the strict gender roles of her time and country mean she can’t be herself.

Alanna’s non-stop adventure isn’t just a feminist tale, it’s a human one that every developing human could benefit from–and of course enjoy.

Many of the things Alanna thinks and says seem to suggest a transgender child; perhaps she would be if the story were written later, but that doesn’t appear to be Alanna’s theme. She always intends to reveal she’s a girl–after she becomes a knight, so they can no longer deny her. In a straightforward way that is part of (and not a high-horse diversion from) the story, Alanna is about the restrictions gender roles put on everyone, and how it affects a person’s destiny. Alanna defies it, but most of us struggle to, won’t or can’t. She’s a hero where heroes cannot tread. How many YA fantasies manage to show their readers that?

Other books in the genre, set in a prior period, manage a tough and adventuring gal on a horse—but like Ginger Rogers (she did the same as Fred Astaire, except backwards and in heels), YA fantasy heroines often have to do it all with long hair and a skirt or dress. Not Alanna. She fully embraces her kingdom’s male role, even if mother nature sometimes gets in her way. Even Aria Stark never has to pause for a period.

I wouldn’t have understood the value of all this, reading it for the first time as a young teen (I think the extent was: Girl becoming a knight! Thrashing the boys and proving herself! Yeah!). The way all of this is handled in Alanna is at just the right level for a young person, yet better appreciated as an adult.

At the same time, I can’t help wondering how much I already identified with Alanna’s plight when I was young, and how much every young teenage or pre-teen girl does. I didn’t remember Alanna’s lamentations about being a girl who’s not allowed to do things, which means I either thought it was just part of the story and had nothing to do with today, or on some level took it as true. Now it stands out. It almost seems too obvious.

Other parts of Alanna: the First Adventure I remembered clear as day, like a trip back through time (a truly great book, or song, can do that). I remembered reading one particular scene with the Thief King George on my grandparents’ couch one summer, like it’s a photograph. It very happily took me back. Still, on this re-read, the level of Alanna’s ire at being stuck as a girl surprised me.

It’s not just her, though: her brother Thom wants nothing to do with the path expected of him as a boy-slash-son, which is neatly done; he also has to pretend to be less intelligent and talented than he is, so he doesn’t earn undue attention and won’t be perceived as a threat. This isn’t a feminist tale, it’s a human one. And I would recommend it to any developing human.

All of that was just about the premise, which matters, of course, but doesn’t do it justice. Alanna: the First Adventure is also a lovely read, and Pierce’s writing can draw a person in and keep them there, even if you only give her less than a page. After all these years, I can’t stop myself from rooting for Alanna, an undersized, courageous and stubborn heroine, like she’s real. Then again, why would anyone want to try?

Up next in this blog series: Wild Magic (The Immortals), also by Tamora Pierce.

Indie Book Spotlight: Throne of Sand (Rookwood, Vince)

In today’s Indie Book Spotlight, we revisit Helena Rookwood, author of the excellent new adult fantasy/romantic fantasy The Prince and the Poisoner (see my review from March 2020 here), and are introduced to her friend and writing partner Elm Vince in:

Throne of Sand (Desert Nights Novels Book 1), by Helena Rookwood and Elm Vince (April 16, 2020; Teen/YA Historical Fantasy, Historical Romance, Asian Historical Fiction)

(Note: I received a free digital copy of this book in exchange for an honest review.)

Familiar, then unexpected.  Throne of Sand is a book that caught me by surprise—in a very good way.

Its basic premise is not so unusual, with a tenacious, un-ladylike for the times female lead.  It’s written in familiar, contemporary language (not my favorite for a story in an older era, but it ended up suiting the action well).  As a retelling of Aladdin, it’s a story we’re well acquainted with (comfortingly so), complete with cheeky little nods to the movie adaptation and callbacks to the original folktale (this djinni is in a ring). But this time, the hero is a heroine: Zadie, the princess who reads, writes, rides bareback and knows her way around a trade agreement.  In other words, she is not the princess her fiancé expects.

Especially because Sultan Kassim was engaged to her sister.

Zadie hides a very large secret, having helped her sister elope with a commoner she loved.  But the replacement princess is not all virtue and romantic ideals: Zadie wants her sister to be happy, but she also wants a chance to rule, something she’s prepared for and never had a chance at until now.  She’s not above a little manipulation, and her servants are not above caking her with makeup to make her the legendary beauty Kassim was promised.

This Aladdin retelling is fast, full of action and fun–and even the djinni gets a backstory.

After a very tense meeting with the sultan, Zadie travels to her future kingdom, where she spends her time ditching her servants and trying to prove she can be a sultanah who rules, rather than one who just looks pretty on her powerless throne.  She has to balance her kingdom’s need for the marriage to go through with getting what she wants.  The tightrope act soon gets irritating, both for Zadie and for this particular reader.

Fortunately, Zadie’s adventurous nature gets the better of her and the best parts of the story come on fast, full of action and fun. Even rude, tradition-obsessed Kassim, whose sole virtues were his title and muscles, starts to soften after a bit.  The wooden sultan becomes a real boy, and it turns out he isn’t half bad.

I wasn’t familiar with Elm Vince before this, but I knew from The Prince and the Poisoner that Helena Rookwood can write amazing and unique female characters (resilient ones, to be sure).  Like the royalty in The Prince and the Poisoner, nobody’s a hero or flat-out scoundrel in the courts of Throne of Sand.  The characters in this tale are also more dynamic.  We see them grow, show their true colors and correct their mistakes throughout the story, and Zadie turns out to be a great deal of fun as a main character.

She certainly knows how to find trouble, too.  Like Rookwood’s Lira, she never crumples in the face of it (unless, you know, it’s physically impossible not to.  Again, there’s a lot of great action in Throne of Sand).  Zadie has intelligence, diligence and toughness to commend her, and whenever she has a sheltered princess moment or two, she manages to redeem herself with her cleverness sometime after.

This is one of those books that I really looked forward to picking up again, only to remember I’d just finished it, which left me really disappointed that I couldn’t go back for more.  (Thank goodness the sequels are now out.)  Our princess may start out helpless and a little on the scheming side (and a lot on the naïve side), but beneath all that is true, three-dimensional character, and just the right traits for someone who hopes to rule.  For all my grumbling when I started reading, it becomes impossible not to root for her—and important that I must read what happens next.

A quick note

Hello.

It’s been a while.

I’m well, how are you?

That’s good/I’m very sorry to hear that.

(But seriously, I hope you are all well and getting by.)

As we all go through this oddness of what some medical professionals are calling “a baby virus” (some baby!), I wanted to drop a quick note with the following orders of business:

#1. Book reviews!

Have you seen them?  The most recent ones are of Andrew Einspruch’s excellent and funny The Purple Haze (fantasy + humor) and Helena Rookwood’s The Prince and the Poisoner (fantasy + just a little romance).  These are two books I loved.  I know I could use a trip to the Carnival of Stars right about now.

Princess Disasterface, Ep. 2.4

#2. New comics!

I’ve been lagging on Princess Disasterface, but managed to complete an episode in April (Episode 2.4).  It somehow takes me hours just to do one page.  Maybe because I can’t stop putting details into areas behind walls that will just get half-covered anyway (see image at left!).  I’m working on ways to be more efficient, but not much luck so far!

#3. NEW new comics!

Social Isolation and Growin’ Pup are my latest (much faster to draw) series…es (just updated today with Social Isolation #4 and #5, and pupdated with Growin’ Pup #3).  Social Isolation will of course be a temporary comic, which I may or may not turn into something else later using the same character.

Growin’ Pup is based on my own life with my puppy, who is a big sweetie that barks at birds for not playing with her and tries to eat EVERYTHING outside.

#4. Writing!

A second edition of A Shadow in Sundown, in which I correct the formatting mistakes of the first edition, spiff it up a little with a new cover and some little graphics, and include a preview of book 2 in the series, will be coming soon.  It’s also looking like I may need more than 4 novellas, so I might have to drop the whole “Quartet” idea.  How DO authors predict these things?  (Though I guess extending a series is pretty common.)

I’m also preparing a pair of free short stories, one set in a version of our world split between magic users and not, and the other about a rather resourceful witch.  More on that later!

#5. What I’m reading:

Tempests and Slaughter by Tamora Pierce (Book One of the Numair Chronicles).  Alas, I haven’t read her work in a long time.  I’m on a library wait list for Alanna: The First Adventure and Wild Magic, both of which I want to re-read.  It’s been wonderful to try something newer (I say newer because I’m behind the times and it’s likely only new to this Tamora Pierce fan).  So far so good 3 chapters in!  (Of course.  It’s Tamora Pierce.)

That’s all for now.  Take care everyone!

-CKB